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Summary
Chapter Summaries & Analyses
Part 1, Chapters 1-5
Parts 1-2, Chapters 4-6
Part 2, Chapters 7-9
Part 2, Chapters 10-12
Parts 2-3, Chapters 13-15
Part 3, Chapters 16-18
Parts 3-4, Chapters 19-21
Part 4, Chapters 22-24
Part 5, Chapters 25-27
Part 5, Chapters 28-30
Parts 5-6, Chapters 31-33
Part 6, Chapters 34-36
Part 6, Chapters 37-39
Part 7, Chapters 40-48
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
King Thebaw receives Colonel Sladen, the British spokesman, in the palace. As a youngster, Thebaw had never expected to become king. He took the throne as a result of his mother-in-law’s political machinations. He married three of her daughters simultaneously before falling in love with Supayalat. She loved him and consolidated his rule, having seventy-nine rival princes killed.
As the king waits for Sladen, he evaluates his memory of the man. Sladen had served as British emissary in Mandalay for many years. The king requests time to leave the palace but Sladen can only offer him an hour. The royal family is being sent into exile in British India, taking a selection of attendants with them. There are no volunteers at first. Finally, Dolly, meeting the queen’s eye, agrees to go for the sake of the princesses.
The king arranges for the transportation of his treasures. With his entourage, he passes through a ceremonial guard of honor and exits the palace. They prepare to leave on ox carts, flanked by soldiers anticipating riots. From the streets, Rajkumar spots Dolly as night begins to fall. As the crowds gather to watch the royal family depart, Rajkumar swaps his palace loot for candies and chases down the procession.
Picking his moment, he presses the candies into Dolly’s hands. He vanishes back into the crowd and watches. Dolly offers the candies to a soldier, which angers Rajkumar but gradually he accepts that she is doing what she must to survive. Rajkumar spots Ma Cho as the procession arrives at the port. Like many in the crowd, she is crying. The royal family boards a steamer and, as the crowd watches, leaves Burma forever.
From aboard the ship, the king surveys the Shwe Dagon Pagoda through gold binoculars. The pagoda is in Rangoon and was founded by Thebaw’s ancestors but taken by the British before the king was born. He returns back below deck, noting that a number of his possessions have already been stolen, including the Ngamauk, a ruby ring.
The royal family arrive in Madras and are put up in a large, luxurious house. Locked up in the building, the king develops strange habits. He begins to sell his treasures–at first, for a fraction of their value. When Mr. Cox, the man supervising the family, finds out, he appropriates the family’s wealth and forbids them from spending it.
Dolly notices a change in mood among the other attendants. They become less servile, angering the queen. One day, the husband of an attendant comes from Burma to collect his wife and she decides to leave with him. Worrying that others will follow, the queen begins to hand out gifts to favored staff. Dolly receives a gift, but some of her colleagues do not. When they begin to act up, the queen has them beaten. This hardens their resolve and, the next morning, they refuse to wait on the queen.
The queen fires most of the servants, sparing Dolly. She hires local people instead, whom Dolly must teach. Though she begins to learn the language, she struggles to understand the new people. They seem clumsy and slow to learn. An English nurse refuses to adhere to the Mandalay customs–she will not crawl on her hands and knees before the queen. The queen gives birth to a baby girl.
Mandalay becomes a ghost town. Ma Cho sees little cause to run her food stall, which is then burglarized. Rajkumar suggests that they ask Saya John for help–Ma Cho bursts into tears. The two almost have sex before Ma Cho rejects Rajkumar and they never speak of the incident again. A few days later, she disappears. Alone, Rajkumar seeks out Saya John. The king is informed that his family is to be moved to Ratnagiri; Dolly goes with them.
Saya John’s business is flourishing and Rajkumar works for him. British occupation has changed Burma, which is now integrated into the British Empire’s trade with the rest of the world. The duo travel from port to port, journeying into the jungle to find the best teak. Due to his European clothes, Saya John is regularly afflicted by leaches and Rajkumar must burn them off with his cheroot. The wood is harvested all year round, moved down streams by teams of men and elephants. Saya John teaches Rajkumar about the kinship between mint plants and teak–they are distantly related, Saya John says, though one is a spice and the other topples dynasties.
During their journeys upstream, Saya John takes supplies and treats to the British teak camp assistants who control the jungle. While some invite him in for dinner and treat him politely, others become angry at any forgotten items and dismiss him with racial slurs. When Rajkumar offers to remonstrate with one such assistant, Saya John tells him to leave it be. Later, when Rajkumar asks about this, Saya John tells him how the companies use up these young camp assistants, having them run the teak camps for three years until their health becomes dire. In a way, Saya John admires the British and tells Rajkumar that he could learn a lot from the young camp assistant.
In the final parts of Part 1 and the opening of Part 2, readers are introduced to a number of key themes that resonate through the text. The first of these is food. As Dolly leaves Burma with the royal family, Rajkumar seizes his moment and trades his stolen palace loot for “palm-sugar sweets” (39). Dolly’s “uncomprehending surprise” eventually gives way to curiosity when she opens the banana leaf and shares her treats with a guard. Rajkumar is “astonished, even angry” (40) but eventually accepts that Dolly is using his gift to aid in her survival. Along with Ma Cho’s food stall, it’s one of the primary examples of food being used to broach relationships across cultures. Throughout the book, differences in food are reflective of differences in race and culture; sharing of food helps with the breaking down of social barriers and the creation of an understanding between two disparate groups. It’s a lesson Rajkumar learns early and one which is repeated again and again in The Glass Palace.
Another important theme is language. Already in the text, the audience has been introduced to a number of different people from a number of different cultures. Often, they are united by language. Some, like Rajkumar and Saya John, are multi-lingual, a skill that allows them to cross cultural divides (even if they are never truly accepted). When Dolly meets the new staff from Ratnagiri, she struggles to deal with the language barrier. It’s a way to make her feel as though she’s away from home, as though she’s a stranger operating in a strange world. Though “she learnt a few words of Tamil and Hindustani” (47), it’s not just the syntax, grammar, and vocabulary that is strange to Dolly. Rather, she must teach the new staff the attendant cultural language. Dolly couldn’t help laughing” (47) when they don’t understand the correct bowing etiquette or technique. Learning to cope with these old rules and translate them into a new culture will be one of the key challenges Dolly faces during the coming years.
It’s a cultural difference that is echoed in Saya John’s wardrobe. He insists on wearing European clothes and as he travels deeper into the jungle, further and further from the sort of civilization he knows, these clothes become a hindrance. Gradually, he changes into more familiar local clothing, which permits him to operate in the heart of the Burmese forests. Those who don’t adjust to the local customs, such as the British men who oversee the camps, are often beset by ill fortune and violence. That Rajkumar dresses appropriately is a sign of his ability to transcend cultural barriers at least at times.
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By Amitav Ghosh