74 pages • 2 hours read
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Janie’s discovery of the milk carton is the novel’s inciting incident. By challenging what Janie thought she knew about her life, the milk carton jump starts the plot of the novel. Initially, the milk carton symbolizes disruption and danger. Janie feels burdened by it and worries that a friend or family member will see it and thus learn her secret. As the novel progresses, though, Janie comes to see the milk carton as a touchstone, checking her notebook to confirm its presence: “I’m like a toddler with my blanket,” she thinks. “I can’t get very far from my carton” (143). Janie’s feelings continue to progress in later chapters. She eventually thinks of the milk carton an extension of her identity. When Sarah-Charlotte and her mother question her about it, Janie considers destroying the milk carton, but can’t: The milk carton was all that existed of herself” (160).
Janie’s dreams are a frequent motif in the novel. Even before she finds the milk carton, Janie shows a tendency to daydream. Her dreaminess precedes the start of the novel by at least a year: the narrator reveals that “Her last-year’s daydream—before a driver’s license absorbed all daydream time—had been about her own future family” (4). Many of Janie’s daydreams are positive. In the novel’s first chapter, for instance, Janie daydreams about the freedom of driving a car and different spellings of her name instead of paying attention in class.
Once Janie learns of her probable kidnapping, though, the nature of her daydreams changes from harmless to disturbing. She also begins having nightmares. Janie’s upsetting dreams, which she sometimes struggles to distinguish from memories of her childhood, come on suddenly: “She had always had control over her daydreams” Janie thinks, before learning of her kidnapping (22). But that knowledge brings visions that “crawled out of her brain like a creature of the dark” (23); “Monsters and hideous, evil, sucking things scattered in her brain” (93). Janie’s dreaminess is a character trait that makes her particularly vulnerable to anxiety about her kidnapping and its repercussions.
For Janie, getting her driver’s license represents freedom and independence. On the first page of the novel, Janie “felt like driving for hours; taking any road at all; just going” (1). Because she does not have her own license yet, Janie accesses this independence through Reeve and his license. Janie finds the Springs’ home and goes with Reeve to a hotel without her parents’ knowledge. Licenses create distance between teenagers and their parents in the novel. Miranda and Frank recognize the changes that a license brings and resist allowing Janie to obtain one. When Janie asks about driving practice, Frank argues that “She’s just a baby” (2).
Janie’s kidnapping adds an extra layer of meaning to the driver’s license. She views the process of getting a license as a normal, exciting rite of passage for suburban teenagers. Janie feels excluded from this rite of passage, as she lacks a birth certificate because of her kidnapping. When Janie realizes her predicament, her “body turned to ice” and she feels “cold with fear” (40). Driver’s licenses symbolize the uncomplicated teenage life that Janie wishes she could resume.
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By Caroline B. Cooney