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Henry invites Bendrix to live with him. Henry arrives, for the first time, at Bendrix’s house and is invited in. They drink sherry and talk about Sarah and General Gordon. When Henry invites Bendrix to stay at his house, Bendrix is “too astonished to answer” (90). Telling Bendrix to think it over, Henry then relates a dream he had the previous night, in which both men and Sarah were present. It becomes a discussion on the nature of God, before Henry turns the conversation back to his earlier invitation.
Eventually, Henry says that it was not Sarah’s fault that he “couldn't, well, love her properly” (91). He then corrects a passage from one of Bendrix’s books, describing the life of a widower. Henry also confesses to talking to Parkis, and he gave the detective Sarah’s old children’s books, as Lance had fallen sick. Bendrix agrees to stay with Henry, but only on the condition that he is allowed to pay rent.
Bendrix moves to Henry’s home across the Common. He works all day and then, in the evening, he and Henry go to the pub. One time when Henry is away, Bendrix brings a prostitute back to the house but finds himself “impotent” (93). He discovers a trove of Sarah’s childhood possessions and spends an evening going through it all.
One morning, Henry arrives home while Bendrix is eating his breakfast. Henry reveals that he has been to Mass with Father Crompton, who he then invited to dinner. Bendrix cannot help but resent the priest who “kept Sarah from [him]” (94). The conversation is slow and tedious, with Bendrix making little effort and the priest unpracticed in the art of small talk. As Bendrix finally begins to talk—arguing with Crompton about superstition—the doorbell rings.
Bendrix answers the door and finds a “stout woman in black holding a parcel” (95). The parcel has been sent by Parkis. Bendrix writes her a receipt and takes the parcel. Henry calls down the hallway but Bendrix does not want to open the parcel. Hearing Crompton leave, Bendrix decides to open the parcel in the hallway, and inside finds one of Sarah’s books that had been given to Lance. There is also a letter from Parkis.
The letter is a rambling account of Lance’s illness. After watching Sarah, Lance became convinced that she was like his own deceased mother. As the boy became sick, Parkis lied to Henry and asked him for something of Sarah’s, in order to satisfy Lance’s fever dream in which Sarah had come to him and promised him a present.
The book seems to improve Lance’s condition, but Parkis remains worried and prays to God for help. The next day, Lance’s fever had improved, and the boy tells his doctor that Sarah came to him in the night and cured him, leaving behind a message in the book. As a result, Parkis would “rather not have the book in the house” (97). Bendrix examines the book and finds a poem, written by Sarah as a child. He shows Henry. When Crompton says that Sarah was “a good woman” (97), Bendrix loses his temper: “She was nothing of the sort” (98), he insists. They argue and Henry tries to apologize. Bendrix storms out of the room.
Bendrix goes to his room, reflecting on how much he hates everything, including himself. He is unable to sleep, consumed by thoughts of Sarah and of all his regrets.
Bendrix’s book is not going well. He takes a break by walking across the Common and listening to the speakers. Spotting Richard Smythe, Bendrix decides to speak to the man. Richard has given up public speaking, as he no longer knows what to believe. As they talk, Richard reveals that he has cured the marks which blighted his otherwise-handsome face.
Bendrix returns home to try to write again. He compares trying to write a difficult character to being God. When Henry arrives home, Bendrix is glad for the distraction. Henry seems dejected, so Bendrix offers him a drink. Henry tells a story about being visited by Mrs. Bertram, who asked to borrow £10. He gave her the money but “couldn’t resist a sermon” (101). Mrs. Bertram accuses him of “not giving Sarah a proper funeral” (101) and tells him the story of the baptism. Bendrix assures him that it means nothing.
The phone rings. It is Richard Smythe, asking for Bendrix. Richard confesses that the marks on his face cleared up of their own accord. Before Richard can explain the superstitious circumstances, Bendrix hangs up. He dismisses the possibility of some supernatural cause but asks “how many coincidences are there going to be” (102).
Bendrix goes to his room, determined not to have these coincidences haunt him. He rips apart Sarah’s diary and declares: “I hate You, God, I hate You as though You existed” (103). Calling down to Henry, Bendrix declares himself ready, and they walk together across the Common to the pub. He feels a protective duty toward Henry, praying to himself in the hope that God will “leave [him] alone forever” (104).
As the narrative moves further away from Sarah, a new relationship begins to emerge, one which will define the ending of the book. Henry invites Bendrix to move into his home, filling the social vacuum which the death of Sarah created. The situation is almost absurd—the widower inviting his wife’s former lover to live in his home—but makes a great deal of sense for Henry. By the time of Sarah’s death, the sexual nature of their relationship had almost completely dissipated. The social bond he had formed with her remained, however, and it is this bond which he seeks to replicate with Bendrix. They sit and talk about the woman they both loved and visit the pub together. Henry seems content with the relationship.
Bendrix, though he is reserved at first, seems content also. He remarks that “it was odd how close we had become with Sarah gone” (82) but notes the co-dependent relationship which they form with one another. This is despite the strong words Bendrix has used to describe Henry throughout the book. He has portrayed him as weak, meek, and devoid of personality, the caricature of the civil servant which he originally wished to include in his novel. Before Sarah dies, Bendrix’s meetings with Henry have a sinister edge; he is guarding a scandalous secret and disobeys Henry’s request not to visit the detective agency. Despite this, the truth eventually outs, and the scandalous secret has almost no impact on Henry’s life. Bendrix begins to note in Henry a quiet resolve and strength which he did not see before, to the point where the two become friend because of the situation they are in, rather than despite it.
Of all the relationships which are formed and broken during the book, the final image encapsulates the most lasting and perhaps strongest relationship of all. Henry and Bendrix walk “side by side” (104) together to the local pub, positioned as equals in a relationship with genuine affection for one another. Henry confesses that the evening walks they share are one of the few things which he can now enjoy about life and Bendrix agrees. After they have been robbed of everything else, they are only able to rely on one another for support. No one else in the world knows quite like they do what it meant to love Sarah, even though their contemporaneous love for her resulted in tragedy. Bendrix and Henry see something of themselves in the other, a bond which outlives religion, jealousy, and death.
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By Graham Greene