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13 pages 26 minutes read

See How the Roses Burn!

Fiction | Poem | Adult | Published in 1300

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Background

Religious Context

Sufism is an individual, internalized part of Islam, often referred to as a mystical practice. Hafez was a highly influential figure in Sufi thought. In his book The Sufis, the author and teacher Idries Shah writes that Hafez’s works are known as the Interpreter of the Secrets and the Speech of the Invisible (Shah, Idries. The Sufis. London, The Octagon Press, 2001, page 373). Hafez was an intensely devout person; he was said to have memorized the Qur’an in childhood (his chosen pen name, in fact, means “Memorizer”). Sufis meet with a teacher—Hafez, for example, studied with Attar of Nishapur—and engage in ecstatic practices, such as meditative trances, dancing (the famous “whirling dervishes” are members of a Sufi order), and writing poetry.

While writing and reading are important practices in Sufism, teachers also encourage their students to look beyond conventional education and seek a more intimate, mystical connection with the divine. Sufis refer to God as the Beloved and seek above all to join with the divine being. Overall, the core tenet of Sufism is love. Transcendence, for Sufis, is not achieved simply through denial or abstinence, but also through joy and earthly experience. As a result, physical, romantic love is closely intertwined with their concept of divine love and the Beloved.

Literary Context

Sufi poetry’s multifaceted approach to love heavily influenced medieval troubadours in France. Troubadours sang about chaste courtly love (amour courtois) in important texts like the Arthurian romances. The thirteenth-century French poem The Romance of the Rose, for example, draws on the same symbolic language that Hafez uses in “See How the Roses Burn!”. The idea of courtly love—a quasi-religious approach to desire popularized by writers like Chretien de Troyes and Andreas Capellanus in the courts of Marie de Champagne—can be understood as a western interpretation of the Sufi creed.

Beyond the enduring nature of Arthurian myth and these related texts, which are constantly revisited in modern books and other media, English love poetry borrows liberally from Sufi symbolism and philosophy. For example, John Donne’s combination of divine and sexual imagery in his Holy Sonnets (1633) echoes the poetry of Hafez and Rumi.

Divinatory Context

The Divan of Hafez has been used for oracular purposes for centuries in Iran. Bibliomancy is the divinatory art of using random book pages to predict the future. In this application, “See How the Roses Burn!” functions like a tarot card, rune, or a line in one’s palm. This not only solidifies Hafez as a household name of special importance in Iran; it adds another layer of meaning to Hafez’s poems. They are understood are archetypal works with universal applicability that can be interpreted in the context of the reader’s life.

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