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55 pages 1 hour read

Secret Daughter

Fiction | Novel | Adult | Published in 2010

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Themes

Motherhood, Womanhood, and Feminine Power

Kavita’s and Somer’s stories are both defined by their long and difficult journeys toward motherhood. Throughout Secret Daughter, a central theme of the book involves casting an eye on the strength and fortitude of mothers as they move through extraordinary feats related to pregnancy, childbirth, and child-rearing. Mothers are celebrated in the book, but as women, they are also oppressed. Both Kavita and Somer face challenges as women moving through the world, due to gender bias in a patriarchal world that largely favors men. The book also, more broadly, celebrates women and their “feminine power,” as Kavita’s mother refers to it in Chapter 20.

Not every woman’s road to motherhood is the same, and motherhood is not necessarily a “natural” experience for every woman. Somer’s infertility prevents her from becoming a mother; Kavita’s life circumstance, that she gives birth to two female children, prevents her from mothering those children. Somer makes friends in Chapter 40 who embrace their single, child-free life. Still, the compulsion to be a mother—and the many different forms motherhood takes—is a powerful force in Secret Daughter. Somer herself fights against the idea that biological motherhood and womanhood are one in the same: “Everyone acts as if being a woman and a mother are inextricably intertwined. A fair assumption, since she made it herself. Only now does she know it’s an enormous lie” (29). Motherhood, as we see throughout the book, varies widely across culture and socioeconomic classes.

Womanhood is celebrated throughout the novel, as a complement to (but also distinctly separate from) motherhood. Kavita, while at the mercy of Jasu, exerts power in her own way, especially after the death of her first-born: “When he [Jasu] came to her at night, sometimes she refused him, saying it was her womanly time of month. With each simple rebellion, she felt her confidence grow” (8). Somer, likewise, taps into an inner strength when the going gets tough, and she reclaims her body (and by extension her life) through yoga: “She had to be gentle with herself—understanding at first her body's limits, and then how to push beyond them. […] Somer learned to reclaim the body she felt had betrayed her so many years earlier” (268). In embracing their womanhood, both Kavita and Somer find an inner strength, their own personal shakti.

The Definition (and Redefinition) of “Family”

“Family” is a malleable concept that can be shaped by cultural forces (Indian versus American, for example) as well as circumstance (adoption versus biological birth). Asha’s adoption underscores that theme in Secret Daughter, but this concept is also explored in in how Somer’s white family is so small and insular compared to Kris’s Indian family, which is expansive and sprawling; in how Kavita misses the extended network of people in her rural village in India—to be sure, a kind of “family”—when she and Jasu move to Bombay; and in how Somer is ultimately accepted into Kris’s Indian family, despite her whiteness and disagreements early in her and Kris’s marriage. Even while the novel explores the nature of non-blood-related kinship throughout the novel, Asha’s desire to know her birth mother makes it clear that knowing one’s heritage, as part of defining one’s “family,” is still important.

No matter how “family” is defined, it is of the utmost importance to one’s development as a person. In Chapter 20, when Kavita and Jasu head to Bombay, their extended family networks in rural India come out to wish them well and say goodbye. Kavita thinks about how she will miss her sister, being so far away: “Kavita forces the ache that rises in her heart at the thought of being so far away from her sister” (94). In Chapter 55, Asha remarks to Sanjay how grateful and surprised she is that, despite never having met her father’s side of the family in India until that very year, they welcomed her with open arms; Sanjay responds by saying “that’s family” (316). In Chapter 60, Kavita takes comfort in learning that Asha—despite never having met her—is safe and doing well. The novel explores how family, as a force, exerts great influence over a person, one that shapes their existence and the course of their life.

The impulse to know one’s familial roots is incredibly powerful—another theme explored through Asha’s desire to know her birth family. Throughout the book, we see Asha holding the silver bangle, the only gift given to her by Kavita before she was given up for adoption. In Chapter 55, when Asha learns more about who Kavita is and where she comes from, she confides in Sanjay that she is now at peace. She explains to him how she has been searching for her birth mother her whole life. Asha admits that she wrote un-mailed letters to her mother as a child, asking about her roots. Despite the love she was getting from Somer and Kris, it never alleviated the desire to understand, more deeply, her Indian heritage and her birth parents’ lives. Asha goes on to tell Sanjay that, after learning more about the difficult lives of her birth parents, she is even more grateful for Somer and Kris: “And now, I know where I came from, and I know I was loved. I know I’m a hell of a lot better off now than I would have been otherwise” (315). Asha getting to know her heritage has the surprising effect of bringing her closer to her adoptive family, as well.

Intersectional Identity and Indian Culture

Secret Daughter celebrates Indian and Indian American identities. With the story partially set in India—in both rural and urban settings—and many of the main characters being of Indian descent, the book rejoices the Indian culture and identity in its many forms. The book takes an authentic look at Indian culture and shows how that culture varies across different social lines: between rich and poor, urban and rural, male and female. As we see with the author’s inclusion of a foreign terms glossary of terms at the end of the book, Secret Daughter aims to have an authentic discussion of Indian traditions, as exemplified by Asha’s experience in buying a dress in Chapter 37 and the funeral services in Chapters 53 and 54.

 

As much as Indian culture is celebrated, Secret Daughter is also honest about the cultural oppression woven into the fabric of certain aspects of Indian society. Especially in Kavita’s story, we see that women are subjugated to men in Indian culture. Kavita’s husband, Jasu, expects Kavita to be submissive to him, a norm especially true in impoverished rural India. Even in the wealthier sects of society, as in Kris’s family, we see his mother, Sarla, subjugated to her husband. However, with money comes the subversion of some norms; Sarla invites Asha to ignite the funeral pyre for her grandfather in Chapter 53, a tradition typically reserved for a son in the family. The Indian identity, then, is not a monolith—there are many different intersectional identities based around class and gender. 

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