62 pages • 2 hours read
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More than just a pit bull, China is the purest representation of the power of nature in the novel. As a female dog, and as a mother, she also represents female strength and the power that can be derived from motherhood. The fact that she is able to both nurture and destroy demonstrates this dual-sided character of the natural world. She also serves as a reflection of the novel’s main character. There are direct comparisons made between her and Esch and when the narrator finally realizes her own strength, she sees herself as equal with China: “she will know that I have kept watch, that I have fought. China…will call me sister [and]…she will know that I am a mother” (258).
The absent mother of the Batiste children is a heavy presence in the novel and Esch carries her in her thoughts continually, recalling her behavior as a guide for her own. She also looks to China for a definition of “motherhood”, as she thinks about her own mothering. There are chauvinistic attitudes in the story that associate motherhood with weakness, but China demonstrates the opposite reality with her ability to fight and overpower a large male dog. Skeetah, using China as an example, also promotes a more respectful view of motherhood: “‘that’s power…To give life…is to know what’s worth fighting for’” (96). The power of the mother is also described in reference to the hurricane. While Claude makes a disparaging comment that the hurricane is “the worst, she’s a woman” (124), Esch describes Hurricane Katrina as the “murderous mother who cut us to the bone but left us alive, left us naked and bewildered as wrinkled newborn babies…She left us to learn to crawl. She left us to salvage. Katrina is the mother we will remember…” (255). Ultimately, the author stresses the point that motherhood is not to be seen as a weakness, but as a formidable force of nature that is more powerful than humankind can understand.
Throughout Salvage the Bones, Esch is reading a book of mythology assigned by her high school English teacher and connects most strongly with the character of Medea. When Medea pines over Jason, Esch draws parallels with her love for Manny. Even her adventures with her brother in the woods and their attempt to steal from the white people’s house are compared to Medea’s relationship with her brother. However, what’s ambiguous about Ward’s use of the Medea story is the confusion about who the “real” Jason is. It is revealed on page 248 that Skeetah’s real name is “Jason”, makes him an obvious candidate for the role and yet, in the original story, Medea is married to Jason; he is not her brother. This degree of ambiguity means that Ward’s novel cannot be directly mapped onto the Greek myth and allows room for multiple interpretations. Overall, Salvage the Bones is both a creation story and a story of destruction at the hands of the “gods”.
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By Jesmyn Ward
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