106 pages • 3 hours read
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Throughout the novel, Snowman often happens across run-of-the-mill objects that have taken on new meaning in light of his current plight. On a practical level, Snowman is always on the lookout for anything useful or edible. However, there is also a strong sense of nostalgia. A notable example is a “Men at Work” sign that Snowman sees beneath an overhang that was once part of a bridge. He finds it strange to think that the centuries of labor that this sign symbolizes have been replaced by endless crumbling. Shortly afterwards, he fills a beer bottle with water and wishes that the bottle contained beer. However, he immediately wishes that he had not brought this up, as it is both futile and a form of self-torture. Another example is the watch that he still wears “as his only talisman,” despite the fact that it no longer works.
These remnants do not only consist of objects but instead of words and phrases. Snowman often finds himself remembering, or willing himself to remember, old words. He often cannot immediately remember where he first heard these words, though he has a vague recollection. For instance, he observes that some phrases sound like generic self-help lingo, and this is borne out when we find out that Jimmy used to work in marketing and wrote a dissertation on 20th century self-help guides in college.
Though the words he thinks of are often not profound or have any important meaning in and of themselves, they become important to Jimmy because they constitute one of his only remaining ties to his past life. Were he to forget them or lose touch with then, then it would be as though they never existed. When he thinks of the word “Mesozoic,” for instance, he cannot remember what it means and reflects that, “This is happening too much lately.” He is conscious that, if he is the only human being alive, he alone must ensure that the former world is kept alive in some form. Even back in the old days, he had developed affection for old words, which he saw as abandoned children that it was his duty to rescue.
In addition, language represents one of the differences between Jimmy and Crake: while Jimmy is more of a wordsmith and favors language and arts, Crake excels at math and science. Indeed this trait is shown to be common among the students at Watson-Crick, whose main area of interest consists of numbers and figures. Likewise, when Ramona moves in with his father, Jimmy has to remind himself that she is not a “word person.” The role of words and the different ways in which people use (or do not use) them is thus a recurring motif throughout this novel.
One of Jimmy’s earliest memories is of a public bonfire featuring a large pile of cows, sheep, and pigs. From the discussion between Jimmy’s father and a fellow onlooker, it is evident that a rival company had gotten through security and sabotaged the project. The animals had been used for some sort of research purposes but had been infected and now had to be destroyed. Jimmy’s father and the other onlooker concluded that two—or any number—can play at that game, and we get our first sense of the competitive, ruthless aspects of the genetic engineering business.
Near the beginning of the novel, Snowman also mentions a variety of feral animals that have unusual names. As the story shifts to his childhood, we find out that these animals had originally been genetically engineered and kept under secure conditions. Pigoons had been created as a means of growing and harvesting human organs. Wolvogs, meanwhile, were being engineered in the college that Crake attended and were created for security purposes: they look like dogs but have the savagery of wolves. Bobkittens, meanwhile, were introduced as pest control; however, even before the epidemic, there were reports that there were on the loose and had mauled people and dogs.
Crake had insisted that the wolvogs would never get out, but following the mayhem that erupted after the release of the JUVE virus, they and the other animals break free. These predators consequently provide Snowman with a constant reason to be vigilant, which is most apparent when he is nearly killed by a large group of hungry pigoons. Likewise, he has to try to protect the childlike Crakers against this threat.
Less savage are the rakunks, which had been bred as an after hours hobby on the part of the OrganInc engineers and caught on as pets. These hybrid creatures were a combination of skunk and racoon, but they did not have the odor of a skunk or the bad temper of a raccoon. At one point, Snowman wonders if he could tame a rakunk so that he would have some form of companionship; indeed, his father had given him one as a pet when he was ten, which he had named it “Killer.” However, Jimmy’s mother took Killer with her when she fled, claiming that the animal would be happier in the forest.
Jimmy’s former pet serves as a crucial motif later in the novel, when Jimmy is shown video footage of his mother’s execution. While she did not address Jimmy by name, she says, “Remember Killer. I love you. Don’t let me down.” Her use of this name therefore creates a direct link with her son, which Jimmy subsequently admits to his interrogators.
When they were younger, Jimmy and Crake spent a lot of their free time playing games. This started off with games such as chess, but Crake subsequently became an avid player of Extinctathon, an “interactive biofreak masterlore game” that featured the tagline “Adam named the living animals, MaddAddam names the dead ones.” This game involved identifying extinct animals and was where Crake (formerly known as Glenn) came up with his codename. The only ones who knew the full list were Grandmasters, and Jimmy speculated that Crake would like to attain this status.
Years later, Crake proposes playing Extinctathon again, and it is apparent that he is now a Grandmaster. The game features the option to play a general game or play against another Grandmaster, and Crake chooses the latter. This brings up the message, “Find your playroom. MaddAddam will meet you there,” and Crake explains that MaddAddam is not a person but various groups. Crake then enters a secret area that features the message “Adam named the animals. MaddAddam customizes them” and allows these groups to communicate news about genetic experimentation and viruses. By this point, it is clear that it is no longer a game but a far more serious affair.
Later, when Crake is working at RejoovenEsense, Jimmy is surprised to find that the staff members have Extinctathon codenames like “POLAR BEAR” and “SWIFT FOX.” However, Crake explains that these people are the Grandmasters from Extinctathon. What Jimmy initially believed was a game has turned into hub for the top minds in the field of genetic engineering. Extinctathon thus does not only demonstrate Crake’s compulsive nature but also plays a pivotal role in enabling Crake to realize his plans.
Jimmy first sees Oryx when he and Crake are watching a video on HottTotts, a child pornography site. Most of the girls on such sites did not seem real to Jimmy, but for some reason, he found Oryx three-dimensional. Most of all, he was struck by a look she gave to the camera, which Jimmy perceived as saying, “I see you watching. I know you. I know what you want.”
Crake printed this image and Jimmy kept it with him ever since. However, it transpires that Crake also saved it: clicking on this image transported him into the Extinctathon playroom. At the time, Jimmy felt annoyed, jealous, and eager to know why Crake had chosen this image, though he did not voice these feelings. Later, Jimmy finds that Crake has sought out and employed Oryx as a staff member at RejoovenEsense. She is older now, but Jimmy recognizes her. What is also apparent is that Crake and Oryx are in a relationship, though Oryx has no qualms about having an affair with Jimmy.
Crake never makes it clear why he sought out Oryx based on her picture, but bringing her into their lives has a dramatic impact: it is she that distributes the BlyssPluss pills and, when Crake slits her throat, prompts Jimmy to shoot Crake. It therefore seems likely that Crake knew the effect that the image had on Jimmy and used it to further his plans and manipulate his best friend. Likewise, though Oryx denies that she is the girl in the image—and initially denies her past life in general—her comments and responses imply that “student services” (who found her for Crake) made a correct match.
Snowman’s first reference to fridge magnets occurs when he thinks about his daily routine. Despite all that has happened, he still tells himself “Routines are good” before observing that his mind “is becoming one big stash of obsolete fridge magnets.” Jimmy often thinks of the kind of phrases that that he used to see on fridge magnets, but, in this case, there is more to fridge magnets than hackneyed pieces of advice.
When Jimmy visited Watson-Crick, he noticed a fridge-magnet culture: people bought them, traded them, and made them, and the phrases consisted of science quips such as “Siliconsciousness,” “Wanna Meet a Meat Machine?” and “Little spoat/gider, who made thee?” Crake had been no exception, yet, when Jimmy first sees Crake’s office at the RejoovenEsense compound, he notices that phrases are no longer scientific but more philosophical. Now, they include “Where God is, Man is not,” “I think, therefore,” and “To stay human is to break a limitation.”
Later on, Snowman realizes that “You could tell a lot about a person from their fridge magnets, not that he’d thought much about them at the time.” The expressions he saw in the office may have been vague, but they indicated Crake’s shift in interests and perceptions. It appears that Crake’s focus had moved beyond minor scientific experimentation and tweaks to the human race, with the phrases becoming more lofty and concerned with the fundamentals of humanity.
When Snowman remarks that there were clues that he should have picked up on, we can include the fridge magnets as an example. Jimmy even thinks of one of the magnets before opening the door to—and subsequently killing—Crake: “We understand more than we know.” He is now fully conscious of what had previously been hinted at via various clues, such as Crake’s comments about murder-suicide and Jimmy taking over Paradice.
“BlyssPluss” pills and containers are mentioned a number of times throughout the novel but are not explained until Chapter 12. Here, Crake tells Jimmy that he is working on a project that offers people immortality. The engineers have formulated pills that supposedly cause a change in the direction of human energies. In practice, this would mean that tendencies that are likely to bring about death, such as misplaced energy that Crake claimed leads to war, are rerouted.
These pills would have a variety of other functions, too: they would protect against sexually transmitted diseases, provide a sense of energy and wellbeing, and act as birth control. The last of these functions, however, would not be advertised. Crake’s view was that the human species was in deep trouble and, soon, there would not be enough resources to go round. He thus claimed that it was necessary to control the population. The pills also formed part of the larger Paradice project, which involved the creation of human beings who are as close to human perfection as possible. According to Crake, the pills were phase one, and the Paradice project was phase two.
This is the way Crake initially describes the pills to Jimmy, but towards the end of the novel, their true function makes itself known in a dramatic fashion. When a global epidemic breaks out, Oryx tells Jimmy that, unknown to her, the virus was in the pills that she had sold from city to city. When he writes his final note, Jimmy summarizes what he believes has happened: Crake created this virus and bound it into the BlyssPluss pills as part of a deliberate plan to cause the epidemic. He had also developed a vaccine (which he had administered to Jimmy) but had destroyed it prior to his death.
Ultimately, it would seem that there was some truth in Crake’s claims, specifically, the part about the crisis of the human population and his goal of replacing “haphazard reproduction” with “a superior method.” However, it is not until the outbreak that the full extent of Crake’s plan becomes clear and readers—and Jimmy—realize the lengths to which he was willing to go in order to make his vision a reality.
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By Margaret Atwood