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Reyes and Barr visit Ellen and ask about her daughter and her possible link to the killings. Ellen assures them her daughter did not know Fred Merton was her father until after he was dead. Reyes does not tell her about Rose’s impeding arrest for fraud. When they depart, Ellen suspects Audrey alerted the police to her daughter’s possible motives.
On a hunch, Walter looks into possible connections between his junior associate, Janet Shewcuk, and Rose Cutter. He contacts Reyes and Barr and tells them Rose and Janet went to law school together. The detectives speak with Janet, who admits to telling Rose that she was named in Fred Merton’s will while they were drinking, two months ago. Rose, the detectives see, now has a motive—she needed money, fast.
Rose visits her mother. Ellen rants about the detectives visiting and is certain Rose is safe from scrutiny because she did not know about the will. Rose admits that she has something to tell her.
An officer approaches Reyes and Barr, “excited.” It is not specified what they are shown by this officer, but Reyes says, “I’ll be damned” (286).
Ellen is horrified over Rose’s actions. Now, in addition to facing fraud charges, she could be investigated for murder. She still does not know that Rose knew she was in the will. Ellen, reflecting on Audrey’s psychopathy theory, once again wonders if one of the Merton children murdered Fred and Sheila. She realizes that if one of them is convicted, Rose will get a larger portion of the inheritance.
At the station, Rose admits to knowing she was in the will. However, she insists she didn’t murder Fred and Sheila.
Catherine finally tells Ted she is pregnant. Ted hugs her, and though Catherine “can’t see his face” (291), she feels the moment is “perfect.”
After telling Catherine he’s happy about the baby, Ted goes out. He is not happy about the news: He doesn’t want a baby with Catherine, nor does he want to raise a child in “the murder house” (291). He visits Lisa: He needs something to confirm that Dan is indeed guilty because he has come to suspect Catherine. She’d described Sheila’s earrings to him, but he can’t remember ever seeing her wear that pair.
Lisa cannot reassure him. She confesses she has her doubts, and Ted admits the same about Catherine. He knows Sheila wanted to talk to Catherine about something that night; maybe, he reasons, she told Catherine of the plan while they were alone. Ted mentions the earrings but warns Lisa not to tell Dan.
Thursday morning, Reyes and Barr re-interview Jake Brenner. This time, they tell him that they know he did not spend Easter night with Jenna: Surveillance cameras recorded him going back to New York alone on a train. Jake admits Jenna asked him to lie for her. He tells the detectives about the fight at dinner and explains that Jenna didn’t leave like the others. Jenna and Fred shouted at each other, and Fred said he was changing the will to leave half to Audrey. This confirms Jenna knew about the impending change.
The detectives are at a dead end. All of the kids are equally suspect: They’re “roughly the same height, right-handed, and physically capable of committing the murders” (298). Reyes wonders if all of them—the three siblings, Rose, and Irena—are manipulating him together.
Jenna gets a call from Jake. He tells her what he told the detectives and says, “Just stay away from me. I don’t want anything to do with you” (299).
Jenna drives to Catherine’s. Catherine and Ted mention the earrings, and Jenna “gives her sister a long, contemplative look” (301). She mentions the detectives want to re-interview her because Jake lied for her and Catherine comments that all of them are liars. Jenna insists she was at home. They agree Dan likely killed Sheila and Fred; Jenna then tells them about her fight with Fred, the will change, and Jake’s confession. Catherine says only that things don’t look good for Jenna.
That night Catherine cannot sleep. She remembers the look on her mother’s face while Catherine took the diamond earrings off her body: “Her mother had been wearing a different pair at Easter dinner. […] No one will know” (302).
Dan wonders if the police are going to arrest him. He cannot stop fidgeting and eventually tells Lisa he is going for a drive. He ends up at Rose’s home, where he turns off the engine and watches the house.
Rose gets home and notices the car parked in front her house. She can’t see who is inside, so she panics and runs to get inside her house. Eventually, around one o’clock, she sees “the car is gone” (305).
The next morning, Reyes and Barr tell a nervous Jenna and her lawyer that Jake sold her out. Jenna says Catherine likely knew about the will change, too. They mention Audrey’s poisoning, and Jenna is flippant.
Ellen runs into Janet Shewcuk downtown. Janet apologizes and confesses to telling Rose about the will.
The detectives execute a search warrant at Jenna’s cottage studio. They find nothing incriminating. However, as they are departing, Jenna sees Audrey sitting in a car in front of the cottage and snaps at her to leave.
The next morning, Audrey stews at home, certain that whichever Merton kid killed their parents also tried to kill her. She suspects Jenna, but she has no evidence.
Ellen ponders the new information about Rose. She can’t tell if she’s “stupid” or if Rose is a good liar. Audrey’s story about Fred has her worried that “there is an unknowable darkness at the center of her daughter” and she fears she can’t ever look at Rose the same (311).
With some reluctance, Audrey heads to Irena’s home for help. Even as the two engage in small talk over coffee, Audrey wonders how to make Irena her ally.
Reyes and Barr get a tip about the pick-up truck with the flames. The house they arrive at is in a poor neighborhood; the residents would have no reason to go to Brecken Hill. A man named Carl Brink, living with his mother, says the truck is in his garage. He swears he was with his mother Easter night, and his mother agrees—but the detectives suspect the two are lying and want him to come to the station.
Carl Brink gets a lawyer. He reveals that he was in the Mertons’ neighborhood to negotiate a small-time drug sale and that, near midnight, he saw a car parked at the end of the driveway of the Mertons’ house. It had a vanity license plate with Irena’s name.
The detectives head out to Irena’s house to arrest her for the murders of Fred and Sheila Merton. The detectives believe Irena played them all along and wanted her $1 million. With her attorney, Irena denies everything and tells the detectives she did not even know about the money until after the killings.
The Merton siblings and their spouses learn of Irena’s arrest. They meet at Catherine’s. Everyone is relieved. They agree to say nothing to anyone, not even the press, ostensibly to protect Irena. But Lisa thinks they are all thinking the same thing: “Thanks to Irena, we’re all going to be rich” (325).
The next morning, Irena requests a meeting with the detectives. She tells them she was on the phone with a friend Easter night and that phone records will confirm that. She tells them any of the Merton kids could easily take her car—they knew that she kept the spare keys on her patio and that she keeps that car on the street.
Audrey is shocked by the news. She doubts Irena is the killer.
When phone records confirm Irena’s alibi, the detectives release her. They are back where they started: four suspects, no alibis, and no evidence.
Catherine receives a call the following morning from the detectives: They found some incriminating physical evidence. They are requesting DNA samples from each of the siblings. Both Lisa and Catherine suspect they found the bloody clothing.
The narrative shifts back to Easter Sunday, 11:02 pm. Sheila tries to sleep but cannot. She wishes her husband was not intent on changing the will: “He’s been such a bastard” and “always wants to hurt the kids” (332).
The doorbell rings. She heads down the stairs, Fred slow to follow. She opens the door but only sees a figure in some kind of hazmat outfit. She notices the electrical cord in the figure’s hand and tries to run. She is not fast enough. She feels the cord squeeze her neck as she grabs for her cell phone, but she can’t reach it.
Two days after the detectives request DNA samples from the siblings, they bring in Jenna. Jenna “has no intention of confessing” because “[t]hey had it coming” (333). She’s confident they have no solid evidence. Reyes asks her to explain why a strand of her hair was recovered from Irena’s car. Jenna claims she hugged Irena before Irena left Easter night; the hair must have come off then. The detectives point out that they know Irena was home that night, but Jenna’s lawyer dismisses the hair as flimsy evidence. Jenna smirks as she leaves with her lawyer.
Audrey shows up unannounced at Catherine’s house. She tells Catherine that the police found DNA evidence that puts Jenna in Irena’s car the night of the murders. She says the detectives want to move on an arrest, but the hair is not enough. Catherine mostly wants the whole thing to be over; she’s relieved to know they don’t have enough to convict Jenna, because it means the whole scandal will blow over eventually. Audrey leaves, saying she wants Jenna convicted.
Catherine calls Dan. They plot to let Jenna know they know what she has done. Dan is reluctant but agrees.
That night, Catherine and Dan confront Jenna. They assure her that although they know she is guilty, they are not going to act on it. Jenna, however, denies it and throws suspicion back on her brother and sister, claiming they framed her. Jenna sticks to her story of being home and points out that both Catherine and Dan were out that night. Catherine panics internally.
Jenna drives home, reflecting on what happened Easter night.
Jenna drops off Jake at the train station. She is in a “murderous” mood (342) after what her father told her. She drives to Dan’s house and snatches a pair of the disposable coveralls and booties he used when he sprayed insulation in his attic. Then she drives to Irena’s house and takes the spare keys to Irena’s car, which she drives back to her parents’ house. When her mother opens the door, there is a moment of shock and recognition. Jenna strangles her. As she lowers her limp mother to the floor, Jenna “[feels] nothing.” When she hears her father coming, she goes to kitchen and grabs a carving knife from the wood block. She sneaks up on her father from behind. She registers only a flurry of blood spurting everywhere: “Something in her took over” (344).
Quickly, she grabs a garbage bag. She dumps various things inside: her mother’s rings, the electrical cord, some other jewelry, her parents’ wallets, and the family’s silver set. She goes to the backyard and strips off the bloody coveralls and booties, placing them into the bag too. Then she puts the garbage bag into a sturdy canvas sack she brought with her.
To get rid of the sack, she stops near a farm outside of town where she knows a friend of hers was getting ready to pour a concrete floor for a new outbuilding. She hastily buries the bag in the ground of the foundation where she knew the concrete would be poured the next day. She heads back to New York, certain the evidence will never be found. Jenna “feels a sense of satisfaction” whenever she drives past the building (345).
Jenna smirks as she drives home, thinking about the doubts she’s cast amongst her family members. She knows Catherine stole Sheila’s earrings off her corpse, and she thinks Dan’s tendency of driving at night is “classic serial killer behavior” (346). Jenna also wishes the antifreeze she put in Audrey’s iced tea had been enough to kill her.
Audrey is certain Jenna must have dumped the bloody clothes somewhere near the Merton house. For weeks she follows Jenna, until she sees her niece stop and have a casual conversation with a woman at a farm outside of town. Audrey notices construction on a new outbuilding for the farm. After Jenna departs, Audrey approaches and chats with an employee, who confirms the new construction. The woman tells her the foundation had been poured right after Easter.
Audrey goes to Reyes and Barr with her suspicion, but it is not enough to secure a warrant to rip up the concrete floor.
The case goes cold. A year goes by. The Merton estate is settled, and each sibling gets their inheritance. Catherine has her baby and she and Ted move into the old family home. Eventually, Audrey sees a “for sale” sign at the farm. Audrey, who has her inheritance, immediately calls a realtor to put in a very generous bid to buy the property.
In a departure from classic mystery techniques, Lapena’s killer goes free. Murder mysteries move inevitably, inexorably toward revelation and resolution. After sorting through evidence, after gathering information about a host of suspects, the agent of truth—a detective, amateur or otherwise—at last puts the intricate puzzle together. That revelation is sufficient to provide the murder mystery its reassuring close: the killer is apprehended and the universe returns to the splendid equilibrium that the murder initially upended. All is settled.
Not a Happy Family, however, skewers that movement. In these closing chapters, the agents of truth—the detectives and Audrey—are frustrated. The perpetually nervous Dan, the most logical suspect, has an eyewitness that puts him in a car away from the Merton house at the time of the murder. That car does not match the cars that were at the Mertons’ Easter night. The arrest of Irena is another dead-end: Phone records prove she was at home. And Jenna cannot reliably be placed at the crime scene. Just when the detectives think they have a case, Jenna skates around the evidence. She points out that the hair the detectives brought forth could have gotten into Irena’s car purely by chance. Even with her siblings, Jenna refuses to be caught; she casts doubt amongst them, confident that they have nothing on her. Secrets and Lies seem to triumph as Jenna appears to get away with murder.
Lapena provides readers—and only readers—with the full picture. She shows The Dark Logic of Violence as Jenna plots her parents’ murders, furious over the potential loss of money. Jenna recalls the way she strangles her mother, stabs her father, then meticulously stages the crime scene and hides the evidence. It is a “blur” (344) that leaves her physically exhausted but morally unaffected; in fact, she is pleased by her efforts, feeling satisfied every time she passes the building that hides her evidence. She smirks every time she realizes she won’t get caught, and she daydreams about the damning evidence she has on her siblings. She is also revealed to be the culprit behind Audrey’s poisoning, and she wishes that Audrey, too, had died.
The Dysfunction of Wealthy Families shines most clearly when Catherine and Dan learn of Jenna’s guilt. They agree to confront her, but they also agree not to go to the police. Catherine is particularly relieved when she realizes that Jenna won’t be caught—not because she wants to protect her sister, but because it means the media and the masses will eventually lose interest in the story. The family name won’t be damaged any further. With Rose going to jail for fraud, the three siblings will also get their original portions of the inheritance, just as they’d wanted. To Catherine, it’s an almost-perfect ending. The Epilogue reveals that she and Ted have moved into the family home; despite this, Audrey notices that Ted looks unhappy. This hints that The Toxic Effects of Secrets and Lies continues to weigh on him; Jenna’s implication—that Catherine or Dan framed her—lingers within the family.
Audrey is the least satisfied by the situation’s outcome. She relentlessly pursues the truth to the end, even after the case goes cold. Her determination—or greed—is rewarded when she finally learns about the farm, the very spot where Jenna hid her damning evidence. The novel closes with Audrey purchasing the property, implying that it is only a matter of time before she uncovers the truth.
Most notably, Catherine has her baby. Audrey’s theory, and Ellen’s research, suggest that psychopathy can be passed down genetically. Evidence is strong in the mercenary brutalities of the Merton clan: Fred, who kills his father at 13; Dan, who exhibits disturbed thinking and has a history of stalking; Catherine, who has a compulsive need to steal; and, of course, Jenna, who murders her parents. Jenna even notes that “[i]t’s dark […] inside her head” (332), though she, ironically, condemns Dan and Catherine for their own tendencies. Catherine’s pregnancy warns that the Merton predisposition to predatory violence will be passed on to a new generation.
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By Shari Lapena