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The poet opens the epic by appealing to the reader’s previous knowledge of heroic tales and promises to present “wonders unending” (17). After this, the poet turns their attention towards action and introduces The Nibelungenlied’s heroine, Kriemhild, a beautiful Burgundian maiden adored by many. Kriemhild’s three brothers—Gunther, Gernot, and Giselher—keep watch of her. The men are “of high race, magnanimous, strong, and brave beyond measure, altogether rare warriors” who eventually “wrought mighty wonders in Etzel’s land” (17). Kriemhild and her brothers reside in Worms, a city near the Rhine. Kriemhild’s brothers possess several vassals: Hagen of Troneck, Hagen’s brother Dancwart, Ortwin of Metz, Gere, Eckewart, Volker of Alzei, Rumold, Sindold, and Hunold.
As a child, Kriemhild dreams about raising a beautiful falcon only to see it killed by two eagles. Distraught, she tells Uote, her mother, about the dream. Uote believes the falcon represents a future lover who “unless, God preserve him, will soon be taken from [Kriemhild]” (17). Kriemhild declares that she has no intention of marrying since it will lessen her beauty, but Uote argues that marrying a virtuous knight will only increase it. The chapter ends with the poet foreshadowing Kriemhild’s marriage to Siegfried, Siegfried’s death, and the aftermath of his death.
Further down the Rhine in the Netherlands, Prince Siegfried, son of King Siegmund and Queen Sieglind, comes of age in the city of Xanten. The poet proclaims Siegfried to be a valiant young man “reared with all the care that befitted his high station” (20). Old enough to ride to court, he is a favorite among many, especially women. He possesses great prowess as a knight while maintaining a sense of chivalry and gentility.
When the time comes for Siegfried to be knighted, Siegmund and Sieglind throw a celebration for him and invite people from across the map. Newly knighted men take part in spectacular bohorts (jousting tournaments) until Siegmund asks them to stop. The royals serve rare food and wine, and Sieglind distributes gifts to the extent that “no wandering minstrel remained poor there—it rained horses and clothes as though their donors had not a day to live!” (21).
The nobles hold Siegfried in high regard and wish for him to be king, but Siegfried himself clarifies that he would prefer to be a knight while his parents are still alive.
Rumors of Kriemhild’s beauty reach the Netherlands, and Siegfried becomes interested in marrying her. He appeals to his parents, declaring that he must go to Burgundy to woo her. Fully aware of the Burgundians’ ferocity, Siegmund and Sieglind are horrified and fear that Siegfried might be killed. But after some time, Siegmund agrees to help. He warns his son about Gunther’s vassals, but Siegfried proclaims, “Whatever I fail to get from them by friendly requests, I shall take by my own valour. I fancy I shall wrest their lands and people from them” (23). He sets out with 12 companions and arrives in Worms in a week.
Gunther learns of Siegfried’s arrival but does not know who he is. He sends his most trusted vassal, Hagen, who correctly identifies the prince. Hagen recounts Siegfried’s many valiant deeds, from slaying the Nibelung princes and plundering their treasure to vanquishing a dragon and bathing in its blood to become nearly invincible. He ends his monologue by advising, “that it is best to have [Siegfried’s] friendship” (28).
Gunther welcomes Siegfried and questions his coming to Burgundy. Siegfried announces that he wishes to wrest Burgundy from him. Displeased, Gunther and his closest companions debate over how they will handle Siegfried’s threat: The vassal Ortwin suggests they declare war on Siegfried, but Gunther’s younger brother Gernot advises against it.
Gunther extends a more gracious welcome and promises to treat Siegfried as his equal and share his wealth. The gesture pleases Siegfried, who joins his fellow knights in sports. Kriemhild watches Siegfried from her window and though they never speak, she begins to develop feelings for him. The poet clarifies that Siegfried spends a year at court without ever seeing Kriemhild
Envoys arrive in Worms and inform Gunther that Liudeger, sovereign of Saxon, and Liudegast, King of Denmark, wish to invade Burgundy in 12 weeks. Gunther turns to his friends for counsel—with Hagen suggesting that he call upon Siegfried for assistance. Later, Siegfried finds Gunther brooding and asks what vexes him. Gunther refuses to divulge his trouble since “one should complain of one’s wrongs to proven friends” (34). In response, Siegfried proclaims that he is Gunther’s friend and can be trusted. Gunther lets his guard down and tells Siegfried about the possible invasion, and Siegfried agrees to help him. Gunther sends the envoys back to their countries with gifts and a warning for Liudeger and Liudegast.
Liudegast is stunned when he learns that Siegfried plans to fight with the Burgundians, and he and Liudeger summon 40,000 knights to invade Burgundy. Siegfried instructs Gunther to stay home as he plans to lead the defense himself. The Burgundians “[lay] waste the [Saxon] countryside with fire and pillage” (36) while Siegfried rides ahead to spy on the enemy. While engaging in reconnaissance, he stumbles upon Liudegast, whom he captures. Siegfried proceeds to kill 29 men by himself before placing Liudegast under Hagen’s watch. The armies finally meet and clash in a bloody battle. Liudeger recognizes Siegfried and sues for peace; the Burgundians take 500 captives (including Liudeger and Liudegast) and their wounded back to Worms.
Kriemhild summons a messenger to recount the battle and let her know how Siegfried fared. She is pleased to know “no man rode so well in battle” (41) as Siegfried, and she presents the messenger with clothes and gold. Once the Burgundians and their prisoners return from battle, Gunther treats everyone with magnanimity and plans for festivities that will last six weeks. Siegfried tries to return to the Netherlands, but Gunther implores him to stay. He agrees to do so in hopes of finally seeing Kriemhild.
The festivities begin, and many guests arrive in Worms bringing “numerous saddles red with gold, and sumptuous shields and robes” (46). Gunther becomes aware of Siegfried’s adoration of Kriemhild, and Ortwin suggests that he let the prince see “the pride of Burgundy” (46). Gunther calls for Kriemhild, their mother Uote, and their maidens to appear before the guests—and Siegfried sees Kriemhild for the first time. As he gazes upon her, Siegfried feels inadequate but he “would rather be dead than shun her company” (47). Gernot asks Gunther to present Kriemhild to Siegfried so they can be acquainted. After exchanging pleasantries and holding hands, Kriemhild kisses Siegfried and leaves for church. For 12 days, Kriemhild appears at court with Siegfried, and they become close.
The Danes seek a treaty with Gunther and wish to be released. Uncertain, Gunther asks Siegfried for advice: The prince tells him to let Liudeger, Liudegast, and their men return home on the promise not to invade again. Gunther sets his prisoners free and hands out extravagant gifts. Siegfried tries to leave Burgundy once more, but Giselher dissuades him.
The Nibelungenlied is a written work, but it draws from a tradition that predates it by hundreds of years. Germanic heroic legends featuring characters like Siegfried and Kriemhild originated from the Migration Period (4th-6th centuries AD), and they were passed down orally until the medieval period when the poet responsible for The Nibelungenlied produced the first written German recording of the lovers’ story. The poet not only pays homage to oral tradition by relaying a story passed down for centuries but does so by employing techniques such as repetition (of epithets and phrases) and the use of hyperbolic language. In addition, the poet begins the epic by proclaiming, “We have been told in ancient tales many marvels of famous heroes, of mighty toil, joys, and high festivities, of weeping and wailing, and the fighting of bold warriors—of such things you can now hear wonders unending!” (17). The phrase “we have been told in ancient tales” references the act of oral storytelling, and the fantastic elements listed (“many marvels of famous heroes, of mighty toil, joys, and high festivities, of weeping and wailing, and the fighting of bold warriors”) allude to oral stories familiar to medieval readers.
The Nibelungenlied primarily revolves around the Burgundians, a Germanic tribe that historically lived near the Rhine during the Migration Period. The character Gunther is based on the historical figure Gundahar, who was king when the real-life Worms was sacked by the Huns in 436 AD. Thus, it is clear that the poet intended for The Nibelungenlied to be set in the 5th century. However, the poet frames Siegfried as a knight and Hagen as a vassal, classes that did not exist when Worms fell. The poet also infuses his Migration Period-era tale with medieval concepts such as the feudal system and knighthood, creating an anachronistic work in the process.
The poet foreshadows the epic’s ending as early as the first chapter: “What terrible vengeance she took on her nearest kinsmen for slaying him in days to come! For his one life there died many a mother’s child” (18). Upon reading this chapter, the reader knows that Kriemhild will kill her family over Siegfried’s death—though they do not know the specifics. This creates dramatic irony and suspense.
The poet emphasizes Siegfried’s bold, heroic nature throughout Book I. In doing so, the poet follows Germanic heroic tradition (Siegfried fits the description of the ideal hero) and leads the reader to believe he is the protagonist of the story. When a reader believes a character to be the protagonist, they know to treat said character as the most important figure in a given story. The poet wants the reader to view Siegfried as important as his death catalyzes Book II’s events. The more important Siegfried seems, the more dramatic and tragic his death. Siegfried’s emotionally charged death pulls at the reader’s heartstrings and helps them fully comprehend the pain that leads Kriemhild to seek vengeance.
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