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The Captain and Johanna arrive in the town of Bandera. There are teams of oxen in the street: it’s a line of freight wagons that will leave the town together as protection against the Comanche. The Captain reads new stories, stories about how Texas has recently been readmitted to the Union, the building of the Brooklyn Bridge, the Cincinnati Reds as the first professional baseball team. Johanna is no longer afraid of large crowds of white people, and so she sits in the back with the paint can to collect the dimes. She threatens anyone who attempts to go by her without paying.
They are in the lower country now, having descended from the hills. The weather is warm. The Captain remembers the territory; it’s a part of him, and will never not be. The wind and smells remind him of his old home, his wife, war, and watching his captain die in his arms, those many years ago. Johanna senses a change coming and she grows uneasy. She speaks of the doll she left overlooking the Red River. She asks if they will be reading in Castroville, to which the Captain answers no, not anymore. He tells her he’s taking her to her aunt and uncle. She tries to play with him, tears running down her face. He tells her she will adjust, using a firm voice, tells her it would be dishonorable of him to not take her to her relatives after he had promised he would.
Castroville is a small town with a European aesthetic. The Captain asks people in town where Wilhelm and Anna Leonberger live. He does not mention anything about Johanna. The townspeople do, however, mention Johanna and her parents, and inform him that her parents are buried in the cemetery of Saint Dominic’s. They pass the graveyard and the Captain removes his hat as he had been taught to do. Johanna regards them with curiosity, but mostly indifference. She tells the Captain she wants to go back to Dallas, that she doesn’t like Castroville. He tells her they cannot. She reverts to her Kiowa ways, chants a Kiowa aphorism, braids her hair as if she were preparing for war, and becomes wooden and silent.
Along the route, the Captain asks a man, Adolph, for directions, telling him he will pay him if he rides up ahead and announces to the Leonbergers Johanna’s arrival. The man praises God and rushes off.
They arrive at the Leonberger farm. The Captain climbs down from the wagon. Adolph is waiting in front of the house. Dogs run out barking. A man emerges from the cabin and shoos the dogs away. The Captain feels very tired. Anna emerges and stands beside Wilhelm. The Captain announces that he has brought Johanna back and hands Wilhelm the papers from the Agent. Wilhelm doesn’t say anything and simply reads over the papers. He then tells the Captain that he sent $50. The Captain confirms he received it, adding that with the money he had bought the wagon. Wilhelm asks if he also bought the harness with the money. The Captain says he did. Wilhelm wants to know if he has a receipt. The Captain tells him that no, he does not. Wilhelm reluctantly invites them inside. Adolph bites his lip in dismay and then rides off.
The Captain realizes the futility of explaining Johanna’s situation to the Leonbergers—that is, that she needs an adjustment period—while sitting on their sofa, drinking a very strong coffee. Johanna, meanwhile, is in a corner of the room, sitting on her haunches, holding her ankles.
Wilhelm and Anna tell the Captain in broken English of how Johanna’s parents were killed, in grizzly detail. He only responds with simple affirmations of having understood. Anna tells Johanna to get up, but she ignores him and remains in the corner. They begin discussing her. Wilhelm states that she needs to be retaught their ways, that she needs to work, that they need a lot of help around the farm. The Captain agrees that she can work, but asks Wilhelm and Anna to bear in mind everything Johanna has been through, and to not be harsh on her. Wilhelm asks about the receipt again.
The Captain spends the night on a hard bed upstairs in the Leonberger home. Johanna remains in the wagon, wrapped up in her poncho.
The next day, the town gathers to see Johanna. She retreats into the hayloft in the barn and throws things at anyone who attempts to approach her. The Captain tells the people to just please leave her alone for a little while.
Later on, the town gathers together to celebrate Johanna’s return. They are kind, well-meaning, and hard-working people. The celebration is filled with wonderful foods from the Alsatian region of France/Germany, along with Texas-style brisket. Adolph, the messenger, comes over and sits down with the Captain. Adolph tells him about the Leonbergers, and that their nephew had run away. The Captain accurately deduces that he ran away because the Leonbergers overworked him. Adolph and the Captain muse over the fact that the people from the town celebrate Johanna’s return, but afterwards, no one will stop by and check up on her welfare. Adolph briefly mentions how he had done what he could to chase down Johanna’s kidnappers. He mentions to the Captain about adoption papers, and that Wilhelm and Anna will not adopt Johanna because of the legal responsibilities that would come with it. The Captain notices that the Leonbergers sit alone at the festivities, and that no one goes over and speaks with them. Adolph informs him that Wilhelm and Anna hadn’t adopted their nephew, either. Adolph takes the Captain by the sleeve and very poignantly tells him that he cannot leave Johanna with them. The Captain says he will try and visit, and then quickly leaves before tears start running down his face.
The Captain returns to Castroville (the Leonbergers actually live in the small village of D’Hanis, twenty-two miles away), and stays the night in the hotel there. From there, he travels to San Antonio. He is very happy to be back. He loves the city and its river. He looks in the windows of the old building where he used to have his printing shop. He stops in at Branholme’s law office and spends thirty minutes discussing adoption, the legal status of returned captives, and the Printing Bill. Branholme does not provide a very positive outlook regarding adoption, and he hopes that in a few years Governor Davis will rescind the bill, so that the Captain can reopen his printing shop.
From there, the Captain checks for mail at the post office and reads a letter from his daughter, Elizabeth. She states they will come back in two years, and states the difficulties they would have traveling to San Antonio. She tells him that if he has money he could send them some, that it would be very helpful. He also purchases more newspapers, though he will not be doing a reading in San Antonio. His readings are only popular in the small towns in the north and west of Texas. He has a room at The Vance House and pays a boy to go out and bring him back a pint of whiskey. He ruminates in the night that he is neither a cripple nor stupid.
The next morning he travels back to the Leonberger farm. He wants to explain Johanna’s situation, her state of mind, to them, and get them to treat her well. He will do what it takes, whether that means reason, bribery, or something else. It is night by the time he arrives. He stops underneath a mesquite tree. He notices a light on in the farmhouse window. Then he notices Johanna, alone, walking among the grasses, carrying heavy leather halters and feed for the horses. She calls to the horses in Kiowa. He calls out her name. She stops and stares back at the wagon. He notices she is dirty and still wearing the same dress as when he dropped her off last. He’s angry that the Leonbergers haven’t provided her new clothing. She calls out his name and comes over to feed Pasha. It’s the only way she can think of to make herself welcomed. He notices dark red stripes across her arms and hands from the dog whip. The anger he feels freezes him in place. He tells her, calmly, to drop everything and come along with him. She drops it all and jumps over the fence and comes running to him. She’s crying and saying she will go with him. They head north. The Captain says that if anyone has a problem with him taking her, then they will shoot them full of dimes.
Over the next several years, the Captain and Johanna travel all over Texas, reading the news. He teaches her to read and write. She learns English well, but continually speaks with an accent that is not Texan and struggles with the pronunciation of the letter r. She never learns to value what white people value, and he notices that he has learned from her to value those things less as well. He becomes more and more interested in foreign news. He never does figure out what made Johanna change so drastically over those four years with the Kiowa, but knows that she remains Kiowa at heart and will until the end of her days.
After three years, his daughters move to San Antonio. His son-in-law opens a printing press. The Captain helps out. They all live in the old Betancort house and Elizabeth works at recovering the rest of the Spanish lands of her mother’s family. Olympia drifts for a while but eventually remarries.
One day, John Calley, who always remembered the Captain from Durand and respected him, pays him a visit. By this time, Johanna is 15 years old and has transformed into a southern belle. Calley stays with them for a while and he courts Johanna. They grow to like one another. John undertakes a difficult project of obtaining cattle from the wild country, but because he is tough and resourceful, he becomes a “made-man” within just two trips. He and Johanna eventually marry.
In their last scene together, she and the Captain sit on her bed and talk. She cries. She is worried about marriage, and in familiar words, he calms her. Just as when she was with him during the readings, and it was time for him to read, she looks down at his watch and announces it’s time to go. They embrace. She says she will visit, and tells him that he is her “cuuative watah” (208).
Johanna and John make a living driving cattle. It’s a life she can love. They live into the 20th century and have two children.
The Captain grows older, but still remembers the shootout he had with Johanna at his side.
Britt Johnson and his crew are killed in 1871 by Comanches while they are driving freight. Simon and Doris have a family of six children, all their names beginning with "D," and travel north Texas as musicians.
The Captain dies, and in his will he requests to be buried with his runner’s badge from 1814: "He said he had message to deliver, contents unknown (209)."
The climax of finally reaching their destination after many miles and adventures together comes to a head in Chapter 19. The Leonbergers turn out to be exactly what the Captain feared all along: people ill-prepared or unwilling to understand the fragile state-of-mind Johanna is in. However, as established in earlier chapters, the Captain's sense of duty and honor is so strong that he reluctantly fulfills his task and rides away, fighting back tears. However, his sense of honor and moral code are facing a paradox, as he knows that Johanna will not be okay with her aunt and uncle, and he feels the strong desire to save her from a terrible fate. Ultimately, his love for Johanna, and sense of what is right, trumps everything else.
Interesting to note is the juxtaposition of the Adolph character with that of the Leonbergers. The Leonbergers represent the humorless, cold, bureaucratic Germans, the ones who are solely interested in hard work and business, caring more for receipts and paperwork than their niece. Adolph, on the other hand, represents the Germans who are more loving and caring, going so far to inform the Captain to take Johanna away. In their discussions, a weakness of all cultures and peoples is raised which further solidifies the idea that no one country, people, or culture is superior or inferior to any other, that they all share the fault of not caring properly for children, that they all comprised of good and bad individuals.
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By Paulette Jiles