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Paloma is quiet on the car ride back, thinking over what she has learned about Gael and Lizzie’s father. This explains why Gael bought the medallion for protection and why he insisted that they could not contact his father in New York.
At home, her mother is on the phone. She hangs up, telling Paloma that university personnel have just informed her that Gael and Lizzie’s father is not an artist but is in prison for theft. Further, neither Gael nor Lizzie is enrolled in the language institute. Paloma’s mother is angry that the twins have duped them. Paloma is certain that there must be some reason that Gael involved her in the search for the ring.
Two days pass and Paloma receives no note from Gael. Then, during her school break, he and Lizzie appear. Paloma confronts them about their father’s imprisonment. Gael explains that their father was framed: After noticing that several items were missing while cataloging them at his job at Casa Azul, he tried to alert authorities. His alerts went unaddressed; then, someone placed the jeweled necklace inside of his bag. Gael insists that, because personnel were ignoring the alarm that his father was trying to sound, it is Mr. Farill who is responsible for the items going missing.
Lizzie and Gael are certain that Mr. Farill has stolen the peacock ring and that he is working with the man in the trench coat; Mr. Farill will pass the ring to him, who will then smuggle it out of the country. Paloma realizes that this theory fits with many details: Mr. Farill told her that he disapproves of the security cameras installed in Casa Azul after the theft; he decided to make the Frida party a masquerade at the last minute (which will allow him to pass along the ring to the trench coat man without exposing his identity); Gael was indeed in a taxi when Paloma visited their home; Lizzie and Gael were the ones who broke into the Farills’ home, looking for the ring.
Paloma understands now that the twins are in search of the ring in order to exonerate their father. She is moved because she knows how it feels to miss one’s father. However, she is unsure why they enlisted her help. Then she recalls speaking with Tavo on her first night in Mexico and noticing the twins observing her. Lizzie admits that they believed that if Paloma developed a friendship with Tavo, they could use her to obtain information about the Farills. Paloma, angry that she has been lied to, returns the Aztec eagle medallion to Gael.
Instead of going to class, Paloma goes to Casa Azul to see her father’s favorite painting, “My Dress Hangs There.” As she is studying it, Tavo appears, explaining that he is looking for a cuff link that his father lost. Paloma is certain that it is the one she found in the storage closet; this means that Mr. Farill must have been inside the closet, too. She suspects that both he and the trench coat man were searching for something there.
After Tavo leaves, Paloma goes to the storage closet, but it is locked. She tries to break the lock with a rock but has no success; she tosses the rock to the ground but is surprised by the metallic sound that it makes when it hits the ground. It has landed on a metal box, which Paloma opens. Inside she finds a key and a note in Spanish saying only “the morning” at 8:15 am.
Paloma uses the key to unlock the storage room. She searches it until she comes across a loose tile in the floor. She removes it and plunges her hand into the hole, and inside is a small box containing the peacock ring. She quickly pockets it, deciding that she must come up with a plan to prove that it was taken by Mr. Farill.
As Paloma exits Casa Azul, she hears the mariachi band rehearsing a song with the word “mañanitas” (“tomorrow morning”) in it. She asks an employee about the song and learns that the band is rehearsing for Frida’s party. Paloma suspects that the note she found in the box refers to the playing of the song.
She rushes to the churro stand to tell Gael and Lizzie about the ring, but she arrives just in time to see them getting into a taxi. Paloma hails one too and asks the driver to follow the taxi in front of them.
The taxi arrives at a market. Paloma follows Gael and Lizzie on foot through it until she realizes that it is Mr. Farill whom the Castillos are trailing.
Gael and Lizzie see Paloma. They explain that they wish to confront Mr. Farill about the theft; he is now inside a room with the trench coat man. They are certain that the transfer of the ring must be currently taking place, but then Paloma shows them the ring. The three decide that they will invent a story that will convince a nearby police officer to confront Mr. Farill.
After telling an officer that Mr. Farill stole her phone then ran into the room, Lizzie brings the officer over. He breaks the handle off of the door with his baton, but no one is inside. In the room, however, there is a wastebasket with Paloma’s note inside.
That night, Paloma again dreams of Frida. She asks Frida whether she can help her solve the mystery, but Frida insists that only Paloma can solve it.
Paloma meets with Gael and Lizzie to come up with a plan to trap Mr. Farill. Lizzie explains that all of the mariachi bands are scheduled to play “Happy Birthday” together at the moment that Frida’s birthday cake is presented—this is when they believe that the trench coat man will take the ring from its hiding place. Paloma insists that what they should do is confuse Mr. Farill by sending him a note that he believes to be from the trench coat man that insists that the plan has to be changed. A second element of the plan will be to have Gael place something in the place where the peacock ring was hidden in the locked room’s floorboards.
On the night of the party, Paloma puts on a peacock mask. Her mother gifts her with a necklace made with the opal from her wedding ring.
At Casa Azul, Paloma spots Mr. Farill wearing a black suit and a gold mask. She confers with Lizzie and Gael about their plan, then heads out to the courtyard, looking for Mr. Farill. She spots him but then panics to see him heading toward the locked room, as it is not yet the scheduled time for him to meet the trench coat man. Paloma watches Mr. Farill enter the room and can see that Gael is hidden safely inside underneath a blanket, filming with his phone camera. The plan is for Lizzie to broadcast the conversation via the audio system, exposing Mr. Farill to the entire party.
When Mr. Farill begins to search for the ring beneath the tile, Paloma approaches him to ask what it is he is doing. As she does, however, Tavo appears, asking the same question. Mr. Farill tries to get them to leave, but then the trench coat man appears, demanding that Mr. Farill give him the item that he has recovered from the floor. Tavo is confused; Mr. Farill hands over the box, snarling at the trench coat man for being early. When the trench coat man discovers Mr. Farill’s cuff link in the box, a fight breaks out. Gael rushes out of hiding and he is captured by a man with the trench coat man. As Gael and Paloma explain to Tavo what his father has done, a woman suddenly appears: It is the fortune teller. She holds a gun and a police badge.
The police officer, who has been disguised as a fortune teller all along, handcuffs Mr. Farill. The trench coat man, too, is a police officer who has been trying to catch Mr. Farill with the ring. As Mr. Farill is led away, he calls Paloma, Gael, and Lizzie “trouble makers.” Paloma is saddened that Tavo must learn that his father is a thief, but then she is relieved when police tell them that Mr. Castillo is being released.
As the party continues, Professor Breton assures Paloma that Frida would have been thrilled to have such justice carried out in her honor.
The mayor hosts a ceremony to honor Gael, Lizzie, and Paloma for their role in ensuring that the ring was returned. Paloma is gifted a new moniker: “la Palomita Valiente” (211), meaning “the brave little dove.” The fortune teller, whose real name is Rosa Zuniga, and the trench coat man, whose real name is Mikhail Alexeev, have been tracking underground art smuggling between Mexico and Russia. They learn that Mr. Farill has made a deal to avoid jail time but that he is barred from living in Mexico. Paloma worries about Tavo and what will happen to him. Mr. Castillo comes back, however, and he joins others in thanking Paloma for her help.
Before the day ends, Rosa gives Paloma a note from Tavo. In it, he explains that he and his mother will be relocating to Spain where they will live without his father. He understands why Paloma and the twins had to take steps to reveal his father’s wrongdoings and does not fault them for this. He hopes that he and Paloma will one day be able to see one another again.
The night before she and her mother are scheduled to depart from Mexico, Paloma looks through the notecards in her memory box. She is grateful that she has been able to add new memories that involve Gael and Lizzie. Then, she hears music: The twins are serenading her once more from the street below.
Gael gifts Paloma a painting that he has made depicting he and Lizzie with a large peacock. Paloma, in turn, has painted a self-portrait which she gifts to the twins to remember her. The three friends stay up all night, chatting, laughing, and eating churros.
The final section includes several complications and twists before the mystery is finally resolved. Paloma is initially confused and hurt to learn that Mr. Castillo is responsible for the thefts from Casa Azul. She has not only trusted Gael and Lizzie but befriended them. This news makes her feel as though their friendship is disingenuous and that they have sought her help for some ill purpose. She is dubious as to whether they can be trusted going forward. However, as Gael explains their theory, Paloma recognizes the logic behind it. She sees that several of the new pieces of information that Gael provides her with fit with other information she has gathered. This scene anticipates the denouement in Chapter 26. Cervantes therefore provides the reader with enough information to act as a detective alongside the three children before revealing that Mr. Farill is attempting to smuggle art to Russia and that the trench coat man and fortune teller are undercover police officers.
Before this, however, Paloma takes it upon herself to continue with aspects of the investigation alone. This resourcefulness demonstrates her character development, since she has indeed attained traits of bravery. Paloma was initially dubious about becoming involved in the search for the ring, but by now it has consumed her. Her interest lies not in monetary gain but The Pursuit of Justice for the Greater Good. Like Gael, Paloma has come to believe that it is right and fair that Frida’s possessions be recovered so that it can be honored in the museum along with the rest of her art. To benefit monetarily and personally from the ring is, in Paloma’s mind, an unethical motivation. It is Paloma’s bravery, her logical thinking, and her unwillingness to give up that bring her to the hidden peacock ring at last. Furthermore, she is committed to not only exonerating Mr. Castillo for the crime he did not commit, but also to ensuring that justice is carried out by making Mr. Farill’s crimes known. Cervantes hence uses Paloma’s character development to provide a moral about pursuing justice and making ethical decisions.
Cervantes also provides a message about teamwork in this section. When Paloma is certain, once again, that she can trust Lizzie and Gael, she agrees to work with them to expose Mr. Farill. Gale and Lizzie, however, think impetuously, wanting to confront Mr. Farill when they see him in the market. They come up with a quick plan on the spot, but this fails to work. It is only when they are able to deliberate and think through all aspects of their plan that the three are able to formulate a solid one. The plan that they develop is a risky and potentially dangerous one. They are aware that the trench coat man is watching them, and their previous encounter suggests that he may harm any of the three of them. However, the three children work together to carry out their plan undeterred. When the plan does not go perfectly, the three stick with it, determined to expose Mr. Farill at all costs. This suggests that making rash decisions for individual motivations will be less successful than thinking through a plan as a team.
Paloma’s hunch about the fortune teller’s involvement proved to be true. It was by paying attention to the fortune teller that Paloma was able to link her to the trench coat man (when she recognized that both of them speak Russian). However, the fortune teller’s involvement was not what any of the three expected. Through this surprise twist, Cervantes aims to keep the reader engaged until the very end of the novel.
Ultimately, the novel ends on a happy note in many respects. Paloma has been instrumental in ensuring that Mr. Castillo is released and reunited with his family. Similarly, Paloma also shows compassion to Tavo. She recognizes that Tavo will be negatively impacted by his father’s crimes and feels sadness toward him because of this. Tavo understands Paloma’s motives and their relationship can remain intact going forward. The final section therefore constitutes the resolution as Cervantes ties up loose ends and establishes an optimistic tone.
In the end, Paloma has achieved her mother’s goal of Discovering Familial Heritage, though in an unexpected way. She has a newfound love and admiration of the art of Frida Kahlo which not only connects Paloma to her father but to her new friends. This is a reminder of The Value of Art, one of the novel’s central themes.
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