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Miller returns to Philadelphia, where she continues to live with her boyfriend Lucas. He encourages her to join him on a vacation to Indonesia over winter break. A year has almost passed since the assault: “[I]t seemed impossible that in this year I had only spent a single day testifying in court, while around that day my life had disintegrated” (126). In the aftermath of her breakthrough at the hearing, Miller struggles to find purpose and meaning in daily life. She finds comfort in her occasional Skype sessions with her friend Claire, a fellow survivor who has experienced the same emotional journey. Miller distracts herself with cooking, cleaning, and other menial tasks. She joins a comedy club with Lucas and, after one of her boyfriend’s teammates doubts her, dives into writing a routine.
Miller auditions and is chosen to perform last in the lineup. She is reinvigorated by this moment: “[F]or the first time in nine months, anxiety did not cause me to shrivel up and shut down. It fueled me to begin” (132). She rehearses with her club members and feels connected to those around her, including the custodian in her apartment building, the Korean shop owner in her neighborhood, and the doorwomen who work at the front desk. Through these interactions she feels she is “regrowing” (134).
In a powerful moment, Miller faces her fears, performs on stage, and is met with high praise. She feels like “[she’s] been born anew, the timid self shed, the transformation witnessed by hundreds” (136). The next day, reality hits and Miller realizes that she no longer has the comedy show to occupy her free time. She calls her mother distraught and in tears. Her mother comforts her with stories of her journey to America and advises her “to hold out to see how [her] life unfolds, because it is most likely beyond what [she] can imagine” (138).
Alaleh calls and informs Miller that the trial will not take place until the next year. Miller attends an event where the speaker “named Elizabeth [speaks] about a small team called Rise, a civil rights nonprofit, that was drafting the Sexual Assault Survivors’ Bill of Rights” (138). For the first time, Miller speaks openly and passionately about sexual assault and the injustices of the justice system. Although she does not disclose herself as a survivor, she feels “a new kind of hope” (139). Miller feels a newfound sense of purpose to advocate for changes in the legal process to help future victims.
Miller travels to Indonesia with Lucas and learns how to scuba dive. Through the process, she learns the importance of listening to her body. This is difficult for her, as she “ha[s] fallen into the habit of neglecting [her] body, often forgetting to feed it, and when [she] was assaulted [she] refused even to look at it” (140). She experiences the beauty of the natural world, which teaches her that “[A]ll [she] had to do was equip [her]self to go deeper, to push past the initial pains, to teach [her]self to breathe” (142).
In Chapter 6, Miller regains hope and a renewed purpose. Following her return to Philadelphia after the hearing, she struggles to feel like a human. Initially, she denies herself pleasure and connection, despite her boyfriend’s reminder that “[she] was a person who deserved life” (127). Without a trial date set, Miller feels the weight of the limbo of the slow legal process and “the floating formless months in between, the way it demand[s] all of you, then none of you” (126). After experiencing her emotional breakthrough at the hearing, Miller no longer feels like she can hide from her emotions or from the reality of her assault. She employs the symbol of the jar to describe how “the parts of [her] mind [she]’d left untouched for so long had been awoken; the jars [she]’d stored away in January uncapped, broken, contents released” (127-28). She buries herself in menial tasks that leave her little room to express herself.
This changes when she joins the comedy club. Energized by the challenge, Miller reclaims her identity as a fierce woman who is unafraid to take center stage. Through this experience, she reclaims her identity as a human capable of deeper connection and the full range of human emotions. While she still experiences the aftershocks of her trauma, she allows herself to experience laughter. She forges her own identity as Chanel. After performing on stage, she says, “I felt whole, standing on my own” (136).
This heightened sense of empowerment comes crashing down after the performance when Miller realizes she has nothing left to prepare for. She seeks out the comfort of her mother, a Chinese immigrant whose story of perseverance inspires her. She is touched by her mother’s wisdom that “It is not a question of if you will survive this, but what beautiful things await you when you do” (138). She uncovers some of this beauty when she encounters Elizabeth, a survivors’ advocate who inspires Miller to find purpose in helping other survivors. She is overcome with hope and a desire “to convert [her] pain into ideas […] begin brainstorming alternate futures for victims” (139).
Miller finds this resurrection of hope not only emotionally but also physically when she travels to Indonesia and learns how to scuba dive. Through scuba diving, Miller learns to reconnect with her body, which she struggled with in the aftermath of her rape. By relying on her body for survival, Miller listens to her body, which asks her, “[R]espect my needs. We have to work together or you will end up hurt” (140). In Indonesia, she does listen and experiences the beauty of the natural world and a release from the pain she has been carrying with her. Through these experiences, she finds the will to live.
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