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Content Warning: This section of the guide includes discussion of graphic violence, death, and physical abuse.
Isolde de Lara, the daughter of King Henri of the kingdom of Lara, knows that the vampires of the Blood King Adrian are camped on the edge of High City’s borders. As she gazes at the tops of the enemy’s black tents from where she stands at the edge of the forest, she reflects on the unnatural redness that covers the vampire kingdom of Revekka: a supposed curse by the goddess Dis after the Blood King rose to power. Isolde believes it to be all but inevitable that the leader of the vampires, Adrian Aleksandr Vasiliev, the Blood King of the kingdom of Revekka, will take over her kingdom. King Henri has decided to meet peacefully with the Blood King to attempt to reason with him. The citizens of the kingdoms have mixed feelings about this decision, as they fear the Blood King and his vampires.
Isolde is interrupted by the arrival of Commander Alec Killian, her former lover and the head of her father’s guard. Killian is still in love with Isolde, but for her, their relationship was solely a form of sexual gratification, and she found Killian to be a mediocre lover. Killian wants to rekindle their relationship, but Isolde resents his failure to keep her secrets and his tendency to wield her father’s power over her. Now, he tells Isolde that her father forbids her to travel beyond the castle without an escort. When he tries to grab her, Isolde punches him and flees into the forest. There, she encounters a strzyga, a creature that was once human but has been warped by the blood curse, becoming a mindless monster that exists only to drink blood. The only way to kill one is to decapitate it and burn its head. Isolde draws her sword and kills the strzyga. A handsome male vampire with long, blonde hair approaches her, but he refuses to reveal his name. He flirts with Isolde before licking the blood from one of her wounds, simultaneously tasting Isolde’s blood and healing her. Isolde expresses disgust at his behavior but secretly enjoys the experience despite her external reaction. The vampire leaves but promises to see her again.
Isolde returns to the castle. Killian attempts to follow her, chastising her for leaving without an escort. Isolde angrily returns to her room and finds herself overcome with lust for the vampire. Her maid, Nadia, interrupts to tell Isolde that she must prepare for the Blood King’s arrival. Isolde is not a typical princess who values her appearance, nor does she feel pressured to find a suitable husband. She does not wish to marry because her freedom is important to her, and her fiery personality pushes away the more controlling suitors, like Killian. Nadia draws Isolde a bath.
Nadia fashions Isolde’s hair with a beautiful headpiece that once belonged to Isolde’s mother, a beautiful woman who came from the Atoll of Nalani, a nation of seafaring people. Nadia helps Isolde get dressed in a gown that shows off her ample cleavage. Nadia attempts to cover Isolde, but Isolde is proud of her fit and battle-capable body. When they reach Killian and King Henri just outside the great hall, Killian chastises Isolde for wearing such a revealing gown, accusing her of wanting to incite the Blood King’s desire. Isolde trades verbal barbs with him before they enter the hall and take their places. King Adrian enters, and Isolde realizes that he is the vampire she met in the woods. Henri and Adrian discuss the possibility of conditional surrender, though Adrian seems antagonistic. Once he sees Isolde, however, he offers Henri to keep the kingdom of Lara safe in exchange for Isolde’s hand in marriage.
Both Henri and Killian immediately object, but Isolde silences them and asks Adrian why he wants a wife and why he waited until now to ask for her hand. Adrian tells her that he did not know he wanted a wife until he saw her. Henri refuses again, but Isolde convinces him that her life is no more valuable than the lives of the people of Lara. Killian attempts to physically attack Adrian, but Isolde stops him. Adrian requests to speak to Isolde alone, and Henri reluctantly agrees.
Once the two are alone, Adrian flirts with Isolde, hinting that their marriage will be passionate. She wonders why he wants a wife, given that vampires cannot sire children. He tells her that he wants a queen, which puzzles Isolde. In her tense state, Isolde pierces her palms with her nails, and Adrian takes her hand and licks her blood again. He finds it delicious and tells Isolde that someday she will beg him to drink from her and will find it pleasurable. When she tells him that nothing he can do will bring her pleasure, he views it as a challenge.
Killian shouts at King Henri for allowing Isolde’s betrothal to Adrian. Henri commands him to leave, and Isolde seconds the order. He leaves, and Henri tells Isolde that this was never his plan for her and that she is the hope of the kingdom. When alone, Isolde feels complex emotions; she yearns for the freedom of being a queen, but her heart aches at the thought of leaving her father and Lara. As she returns to her rooms, courtiers whisper about her, and one even suggests that she attempt to murder the Blood King after the wedding.
When she reaches her rooms, she dismisses Nadia and then has lustful thoughts of the Blood King again. Killian arrives and attempts to seduce her, but she rebuffs him. He reveals that Henri offered him her hand in marriage if he were to kill the Blood King; this upsets Isolde, as her father never told her about this plan, and she also knows that Killian would be an unkind and controlling husband. She declares that she would never want to marry Killian. He accuses her of wanting to marry the Blood King and grabs her roughly, and she orders him to leave.
Later, Isolde attempts to sneak out of the palace. After evading two guards who wish to escort her, she wanders toward the vampire encampment until a vampire questions her presence, implying that she plans to seduce and kill the Blood King. When another vampire approaches and touches her shoulder, Isolde stabs him. Adrian hears the disturbance and asks the vampires (Miha, Sorin, and Isaac) to explain.
Adrian leads Isolde to his tent, kicking out the naked woman who was lounging in his bed. Isolde feels a pang of jealousy and asks Adrian if he plans to have other lovers during their marriage. Adrian remarks that it’s a bit early to make marital demands. Isolde asks Adrian to spare her people and tells him that Henri offered Killian her hand in marriage in exchange for killing Adrian. Adrian promises not to hurt the citizens of Lara, and Isolde also asks that he spare Killian, as a wedding gift to her. Adrian thinks that Isolde is planning to try to kill him and warns her that he will respond with wrath if she tries. Adrian sees the bruise that Killian inflicted when he grabbed her, and despite his hatred of Killian and his knowledge of the man’s sexual history with Isolde, he agrees to spare Killian’s life. He asks Isolde why she is avoiding the fire in his tent, and she admits that she is afraid of fire but does not know why. Adrian escorts Isolde to the edge of the woods, where Killian is waiting for her angrily. He declares that Killian will never touch Isolde again, and Isolde says that Adrian will escort her the rest of the way to the palace. Adrian walks her to the palace. As he leaves, he says, “All the stars in the sky,” and Isolde’s mind answers, “are not as bright as my love for you” (69). Isolde does not recognize the words.
With the introduction of Isolde, the novel’s opening chapters immediately highlight the social issues involved in The Evolution of Identity Within Constraining Circumstances. In the first scene, Isolde watches as the wind blows over the tents of the Revekkian vampire camp, and her seething reflections quickly convey the political realities with which she must now contend. Isolde has a strong aversion to the vampires and to the Blood King in particular, and at this point in the novel, she finds the vampire takeover of Cordova to be unjust and unwarranted. She also loathes the practice of bloodletting even though she does not fully understand its deeper implications. However, even in the midst of these culturally ingrained prejudices, her perception of vampirism begins to change when she unknowingly meets the Blood King Adrian in the woods. When she considers this moment, she thinks, “I’d survived an encounter with a vampire who had tasted my blood, and the worst part about it was that he’d been right. I did like it” (13). Though she has not yet accepted the ways in which she is changing, Isolde’s positive feelings for Adrian challenge her abstract opinions of him, his species, and his kingdom, and she takes the first steps toward reevaluating her perception of the world.
The vampires’ presence also brings the notion of war into the narrative, highlighting The Moral Complexities of Wartime Leadership within both camps. Lara is under direct threat from Adrian and his army, and by agreeing to marry Adrian even though she views him as a monster, Isolde believes that she is sacrificing her future for the sake of her citizens. As she notes, “I could not lose our people. I’d wanted to be their queen to protect them, and I still would, but not in the way I expected” (37). She therefore gives up her plan to become the future Queen of Lara and instead marries Adrian to save her people from an impossible war against the vampires. Ironically, although Isolde is motivated by a strong sense of duty and morality, her people will later view her sacrifice as a traitorous act.
However, despite the complexities involved in Isolde’s sacrifice, the author provides early foreshadowing that her situation is not as hopeless as she expects it to be. Embittered by her experiences with the abusive Killian, she worries what Adrian might do to her once he becomes her husband and her king, but he immediately reassures her on this point, saying, “I do not seek to own you” (64). His attitude conflicts with Isolde’s expectation that any man who seeks her hand in marriage also seeks to control her; she has never sought marriage in the past because she reviles the thought of being stripped of her autonomy. Notably, when Adrian challenges this perception and attempts to treat Isolde with respect, his actions add nuance to the novel’s thematic focus on The Effects of Political Power on Personal Relationships.
In this and other instances, St. Clair’s use of foreshadowing dominates these early chapters and indicates that all is not as it seems. The romance aspects of the plot also begin to arise when Adrian escorts Isolde back to the palace and tells her, “All the stars in the sky” (69), initiating a statement that she inexplicably finds herself answering in her thoughts with the words, “are not as bright as my love for you” (69). Although it will not be revealed for quite some time, this scene marks the first instance in which Isolde’s deeply buried memories of her past life as Yesenia begin to resurface in brief flashes. Likewise, her immediate trust in Adrian and her knowledge that he will never hurt her stem from the knowledge of her past life and from Yesenia’s legacy.
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