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88 pages 2 hours read

Isaac's Storm

Nonfiction | Book | Adult | Published in 1999

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Symbols & Motifs

Barometers

The invention of the barometer by Evangelista Torricelli in 1643 is arguably the most important moment in the history of the atmospheric sciences. Because hurricanes are accompanied by dramatic drops in air pressure, a device like the barometer that measures air pressure is an indispensable tool for meteorologists and sea captains alike. For Larson, barometric readings serve as helpful literary tool for narrating the story of the Galveston hurricane and communicating its severity to readers. In fact, some of the book's most effective passages tell the storm's story through sheer data. When checking in on Blagden who is hunkered down in the Levy Building, Larson writes, "At [five o'clock Galveston time], the barometer read 29.05 inches. Nineteen minutes later, 28.95. At 6:40 p.m., 28.73 inches. Eight minutes later, 28.70. An hour later, the barometer read 28.53 inches, and continued falling. It bottomed at 28.48. […] At the time, it was the lowest reading ever recorded by a station of the U.S. Weather Bureau" (194).

The reader, knowing about barometric pressure from earlier sections, can keenly understand why these are such dramatic figures. It reminds one of an earlier section in the book when Halsey, the grizzled and hardened sea captain who believed he had seen it all, is terrified to see that his ship's barometer "had fallen to the remarkable figure of 28.75" (118). By describing storm conditions and linking them to barometric readings, Larson uses quantifiable data to chronicle the storm's progression from bad to worse to astonishingly horrific.

Ritter's Café

At noon on the day of the storm, businessmen gather at their favorite downtown lunch spot, Ritter's Café and Saloon. As the men sip cocktails and dine on oysters and steaks, the wind rattles the windows and threatens to blow off tablecloths each time a customer enters through the front door. Suddenly, the wind tears off the roof of the building, causing the second story to collapse onto the first. Five men die instantly, and five more are grievously injured. A waiter goes out to find a doctor and is never seen again, likely the victim of drowning: “Ritter's Café was gone. Men were dead. It was the thing that at last brought fear to Galveston" (159).

While Galveston has faced storms before, few have ever died during them. When one does imagine a person dying in a storm, they think perhaps of the elderly or infirm, a person less capable of escaping rising floodwaters. Here, the residents of Galveston learn that this storm does not discriminate in its destruction, and if a hurricane can strike down the city's most wealthy and robust men, it can kill anyone. The destruction of Ritter's Café serves as an important turning point for Galveston, as its inhabitants' attitude toward the storm instantly shifts from one of seasoned indifference to utter terror.

The Rocking Horse

As late as the Tuesday after Saturday's storm, no one outside the city knows the extent of the havoc wrought by the hurricane. The earliest outsiders to see the damage themselves are a convoy of journalists, military officers, and soldiers sent to aid in relief efforts. After a train carries the men as far as it can, they set out on foot. That's when they see their first corpses. Amid the bodies, a Dallas News journalist named William Sterett observes a child's rocking horse. He recalls later, "And so help me, I would rather have seen all the vessels of the earth stranded high and dry than to have seen this child's toy standing right out on the prairie, masterless" (227). As a symbol, the rocking horse brings to mind not only the physical and bodily devastation the storm brings to all in its path—including children—but also the loss of innocence the city of Galveston and arguably the nation inside will undergo following the height of American hubris at the turn of the century.

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