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The primary theme explored through History Is All You Left Me is grief and moving on. The primary vessel for this theme is Griffin Jennings, as he deals with the aftermath of Theo’s death, but it’s present in the details of every character who cared for Theo McIntire. Jackson Wright and Wade Church struggle with Theo’s death. Theo’s dad begins smoking again, Theo’s mom stops dying her hair, and Theo’s sister, Denise, doesn’t care to help with the baking on Thanksgiving. All these characters in the periphery fight their own battles against grief while Griffin fights his in the main narrative.
In the early “Today” chapters, Griffin finds every step from his bed to Theo’s funeral unbearable. The only reason Griffin goes at all is because “there’s a clock on this thing. The service is today. The burial is tomorrow. I don’t know what comes after that” (19). Griffin’s struggle to look beyond Theo’s burial shows how thick the cloud of grief around him is. He’s so lost in his emotions that he cannot process that life will continue once Theo is buried. This moment shows how grief can make it difficult for one to look to the future.
As the novel progresses, Griffin and Jackson gravitate toward one another, despite their previous animosity. As Wade tells Griffin in Chapter 5, “[Jackson is] probably the only other person here who gets what you’re going through” (28). Griffin and Jackson quickly become comfortable with one another and begin to share pieces of Theo with each other. Griffin believes “[they] can help each other through this, and […] can legit help each other heal” (136). However, Griffin’s mental health and compulsions are impacted as he buries himself in his shared grief with Jackson. This culminates in an incident at the school library, where Griffin screams at another student for not switching seats to allow Griffin to be on the left. This incident shows how grief can negatively impact one’s mental health.
Griffin’s parents attempt to reach him in his grief by sending Jackson home and sending Griffin to therapy, but Griffin chooses to run away with Jackson for a few days instead. He expresses a desire to keep Jackson close because “he’s filled cold silences with warm stories, even if those stories sometimes hit too close and burned me” (176). Despite acknowledging that it’s hurting him to keep Jackson and Theo’s memories so close, he chooses to continue to engage in his grief because he cannot let go of Theo. This leads Griffin to make harmful decisions like running away to California, asking for details about Theo’s death, and having sex with Jackson out of revenge.
After his dramatic encounter with Jackson in California, Griffin finally begins to take steps toward moving on. He tries therapy and decides to be honest with himself—and Theo. Once Griffin admits the truth about his relationship with Wade to the Theo he believes is listening to him, he starts to heal from his grief. After pushing Wade away in favor of Jackson for weeks, Griffin decides to make amends with Wade. While babysitting Denise with Wade, all three of them have a spontaneous dance party, which Griffin describes as, “the collective happiness of three people in desperate need of happiness” (265). Griffin, Wade, and Denise are all able to embrace a moment of joy and dance together despite their grief. This moment shows how one can experience intense positive emotions during and after grieving a big loss. This indicates hope for all three of them learning to move on with their lives.
In the final chapter, Griffin shows he’s healed enough to be ready to move on as he visits Theo’s grave. He understands that “this is what’s best for me” (289) as he abandons Theo’s hoodie at the grave. Theo’s hoodie is a symbol of Griffin’s attachment to Theo, so Griffin abandoning the hoodie shows he’s finally ready to move on from Theo and heal. Griffin promises Theo he’ll “find happiness again. It’s the best way to honor you” (290). Griffin’s willingness to move on at the end of the book drives home the idea that moving on from grief is a difficult yet necessary step for people to pursue happiness.
Control is a big element to the novel as Griffin battles with his obsessive-compulsive disorder and his grief over Theo. Griffin’s grief-stricken decisions and grief-impacted compulsions make his battle for control a central factor in his decision-making.
When Griffin’s parents push him to seek help for his grief and compulsions through therapy and by getting away from Jackson, Griffin remains obstinate that “I just need [Theo] and Jackson” (174). Griffin fears that letting go of Jackson means letting go of the last shreds of Theo, and he would rather maintain control over how much Theo he gets to indulge in through Jackson. However, Jackson’s presence and Griffin’s grief have made Griffin’s compulsions worse. Griffin scratches his palm, listens to Theo’s voicemail on repeat, and counts things constantly in Jackson’s presence. Jackson even grows conscious of accommodating Griffin’s compulsions. To remain in what he perceives to be in control, Griffin flies across the country with Jackson, unwilling to let Jackson go.
In California, Griffin considers what it feels like to have control when Jackson attempts to teach him to drive. Griffin observes, “It’s freeing to be in the driver’s seat, to decide if I’ll go left or right, forward or reverse. It’s freeing to be in control” (206). This quote implies that Griffin is aware that he doesn’t have the control he feels he does when he experiences true freedom. However, it is after Griffin loses control completely and beats up Jackson that he begins to shift toward accepting help.
Back in New York, Griffin honors his promise to go to therapy. However, because he hasn’t told Theo about his relationship with Wade, he finds himself unable to talk to the therapist. Instead, he decides again to control the narrative and detail his history with Wade to Theo before Theo can find out through Griffin’s therapy sessions. Griffin’s need to control the narrative hinders his ability to accept help.
Once Griffin has laid everything out for Theo and returned to Wade, he shows true improvement in accepting help and releasing control. Wade tests Griffin’s compulsions by walking on Griffin’s left, playing songs on shuffle, and using odd numbers. Griffin hates it but allows Wade to help him. Wade explains that the compulsions limit Griffin, and Griffin hangs on the words “not controlling. Limiting” (273). As the story ends, Griffin continues to work on the exposure exercises for his compulsions and chooses to walk on Wade’s right side. He also sees a new psychiatrist, who gives him the tools he needs to progress. Griffin’s rise out of mental chaos shows how it can be difficult to accept help when one has the illusion of control over their life.
Throughout the novel, particularly in the “History” chapters, Griffin lies to Theo to make him happy. However, in the “Today” chapters, Griffin also lies in his narration that is directed to Theo, believing that Theo is watching and listening. All the lies that Griffin tells Theo are intended to protect Theo’s happiness. However, the shame of keeping secrets from Theo eats at Griffin until he finally reveals the truth.
Griffin’s lying to Theo begins benignly, like not correcting him when he got Griffin’s favorite Harry Potter character wrong. However, the lies become more serious in Chapter 12, when Theo announces his eligibility for early college admission. Griffin is outwardly supportive of Theo’s excitement, “But it’s a lie. I’m not happy” (80). Griffin conceals his thoughts and feelings about Theo potentially going away for college early so he doesn’t ruin Theo’s happiness. This trend continues as Theo moves through the application and acceptance process. On Griffin’s birthday, after months of watching Theo grow more excited about starting college in the fall, Griffin struggles to enjoy the nearly perfect day Theo has put together for him because “all I can think about is how Theo will be gone this fall” (145). However, Griffin doesn’t want Theo to know he’s having a bad time, reasoning, “at least I can lie if it makes him happy” (145). Griffin’s disregard for his emotional needs to appease Theo demonstrates the unhealthy drawbacks of lying for others’ happiness.
However, what eats at Griffin the most is the secret he never got to reveal to Theo before Theo’s death, and he struggles to confess to Theo even after his death. In Chapter 24, Griffin reveals the history of his relationship with Wade in the months leading up to Theo’s death, including their discussion to make their relationship official on the day of Theo’s death. However, in Chapter 5, at Theo’s funeral, Griffin narrates to Theo that “I haven’t been speaking to [Wade] as much over the past couple months” (27). Because Griffin believes Theo is watching him and listening to his silent thoughts, Griffin lies to Theo about his involvement with Wade, still wanting to protect Theo’s feelings about the two of them moving on together. When Griffin finally reveals the truth to Theo, he starts healing and moving on, allowing Wade back into his life. This transformation in Griffin communicates that lying to make others happy can become its own prison. For Griffin, telling Theo the truth sets him free to stop dwelling on the past. Throughout the novel, the idea that lying to make others happy can negatively impact one’s mental health is developed through Griffin’s habit of lying while Theo is alive and his unreliable narration while Theo is dead.
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By Adam Silvera