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Born into the Scottish aristocracy, Lady Julia Lindsay MacKenzie Wallace Beaufort-Stuart, called Julie by her friends, bravely writes the story of her war work, knowing from the beginning that her life will soon be over. She narrates Part 1 of the novel. Pretty, smart, quick-witted, and feisty, Julie is also a born actress. Her talents, including her ability to speak fluent French and German, are spotted by the Special Operations Executive unit of the British secret war service which subsequently recruits her.
It becomes clear that Julie’s confession is not what it seems. The reader quickly picks up on the contradiction between what Julie says directly about herself and her reported actions. For example, Julie says she’s a coward and a Judas, but she tries to escape multiple times and she fights her captors whenever she gets a chance. Julie’s deception is even more astounding, considering that she reveals, at several points in her narrative, exactly what she is doing, in comments such as, “It’s jolly astonishing, really. YOU STUPID NAZI BASTARDS” (5).
Everything in Julie’s confession contains double-talk. During her literary conversations with von Linden, for example, she deliberately plays on his male ego, buying her more generous treatment and more time. However, once she exposes her identity as Eva Seiler, Julie dangerously performs as Eva for von Linden. She is successful in getting him to talk to her. After this success, Julie attempts to work on von Linden, just as she worked on German prisoners in her secret work. She succeeds, in that she is allowed to finish her “confession.” Von Linden puts off her transfer to the camp for as long as he can, while apparently failing to realize that she’s given him nothing in her “confession.” Julie’s triumph over her Nazi captors is complete.
Her friendship with Maddie and her relationships with her family, including her brother Jamie, reveal other sides to her character. She is, of course, brave and self-sacrificing, vain—with every blonde hair smoothly in place and fingernails neatly manicured—proud of her abilities and particularly proud of her Scottish heritage. She also encourages Maddie to be a pilot and to reach for what she wants—to fly to France. It is with mixed motives, both selfish and generous, that she suggests that Maddie fly her to France.
Her friendship with Maddie ultimately rescues her from a terrible fate, one she considers much worse than death. Julie trusts Maddie to know, with the phrase “Kiss me Hardy,” what Julie wants her to do. For Julie, death is freedom. One of Julie’s greatest fears is that she will disappear, as a Night and Fog prisoner, and her family will never know what became of her. In this way, Julie knows that her family will have the comfort of knowing what happened to her.
An orphan raised by her Russian-Jewish grandparents, Margaret Brodatt, also called Maddie, loves machines. Her grandfather runs a bicycle and motorcycle shop and gives her a motorcycle for her 16th birthday. She soon becomes enamored of airplanes and learns how to fly. At first, World War II seems to represent the end of her dream of being a pilot. However, as the war goes on and British men are needed for the front lines, women are recruited to fly non-combat missions in support of the war effort. Maddie gladly takes on this challenge, becoming one of the Air Transport Auxiliary’s best pilots.
In the course of her war work, which she begins as a radio operator, she meets Queenie, aka Julie. Despite the differences in their socioeconomic backgrounds, Julie and Maddie share characteristics that draw them together, including bravery, intelligence, and the need to be of use in the war effort.
Maddie’s only desire is to fly, and she consistently says that she’s glad that all she has to do is fly. Maddie refuses to think about the moral complexities and difficulties Julie faces in her interrogation work, though she tells Julie that she does think about how the planes she delivers are used to kill people. However, she is able to maintain a safe psychological distance from death, until her decision to fly Julie into France results in her getting caught up in Julie’s world of intrigue, suspicion, suspense, and spying.
Out of her love for Julie, she enters this world determined to find a way to help her friend. Maddie faces the most difficult decision in the novel, when Julie asks Maddie to kill her, rather than let the Nazis do so. As a result of what she has learned through her friendship with Julie, she has the strength to do what must be done. Maddie does the right thing.
Julie’s brother, Jamie, is a fighter pilot when the story begins. Jamie’s plane is shot down early in the war over the North Sea. Floating in the frozen water, he attempts to save his fingers by warming them inside his mouth. He is rescued, but he loses two fingers on each hand and all of his toes. No longer able to fly combat missions, Jamie joins the Air Transport Auxiliary or ATA, and Maddie helps him to be recruited to fly secret missions for the Special Operations Executive, or SOE.
Jamie and Julie are very close, and Maddie and Jamie become close friends through their work. Jamie reminds Maddie of Julie, and in fact their personalities are similar. They are silly, literature-quoting, intelligent, funny, and courageous people.
Jamie acts as a supportive and protective friend to Maddie throughout the novel, and he always treats Maddie as his equal. For example, when Paul insults Maddie, Jamie leaps to her defense. Though he is physically small like his sister, he doesn’t hesitate to attempt to intimidate Paul, who is much larger. Like his sister Julie, he despises bullies.
There are several hints that the relationship between Jamie and Maddie may not be purely platonic, such as when they kiss upon meeting unexpectedly in France. However, Wein focuses on their friendship, rather than any possible romance, including Jamie’s understanding and support of Maddie when she kills Julie. He understands why Julie asked Maddie to kill her, so in the end he tells Maddie that she did the right thing.
In her narrative, Julie depicts Anna Engel as a dupe of the Nazi system; however, this depiction merely serves as a cover for Anna’s role as Julie’s secret collaborator during her imprisonment. Anna gives Julie cigarettes and offers to help her by getting her story to the right people, foreshadowing her later work assisting the French Resistance.
From her first meeting with Julie, Engel is struck by Julie’s beauty and presence. Engel, treated like a slave by her Nazi masters, has no loyalty to them. For her they represent the pointless destruction of beauty and possibility. Engel liberates Julie’s story from von Linden, enables Julie to put the location of the plans into her narrative, and steals a key to the building. Thus, Engel enables the French Resistance to successfully blow up the building and complete Julie’s mission.
Von Linden is the SS officer in charge of the Gestapo HQ in Ormaie and he conducts the interrogation of prisoners, including Julie’s interrogation. Intelligent, well-read, urbane, he was a headmaster before the war, and is the father of a daughter only a little younger than Julie. Von Linden’s character seems incongruous with the extreme brutality and sadism of the interrogations and executions he carries out, or orders to be carried out.
Wein draws his character carefully to serve as a reminder of the humanity that exists on all sides in war; however, there is no mistaking the mercilessness of the SS officers and guards at the Gestapo HQ. Wein seems to be saying that no one is all evil, even a Nazi SS officer. However, von Linden’s human side simply makes the reader wonder how he lives with himself and his actions. Hints of his humanity appear through von Linden’s love for his daughter, for music and singing, and for literature—all creative and beautiful things—and it becomes even more unbelievable that he could carry out such hideous, pitiless interrogations and executions.
Von Linden’s inner struggle reveals itself most clearly near the end of Julie’s story, when he is unable to send Julie to the concentration camp. Though he does not override his Nazi superior, he does not send Julie to her death until his own life is threatened. His final act—suicide—suggests that he may have struggled with his actions more than he showed. Nevertheless, his brutality outshines any more positive legacy.
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