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52 pages 1 hour read

Before We Were Yours

Fiction | Novel | Adult | Published in 2017

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Chapters 19-22Chapter Summaries & Analyses

Chapter 19 Summary

Avery and Trent decide that their findings require them to go see May Crandall. They both have work obligations, but this feels more important. Avery and Trent feel “like a couple of sixth graders playing hooky from school for the first time” (216). Avery’s phone has to be silenced to stop Leslie, her dad’s assistant, from frantically trying to locate her. Avery knows there will be hell to pay for this because “Leslie does not like to be ignored” (217).

When they get to the nursing home, it is unclear to them how to begin. They don’t know if May will be open to talking or intractable as she is with the workers at the home. She greets them by roaring for them to “Go away!” (219). After this she flings a hairbrush at Trent. Avery is able to get into the room by repeating that May knows her grandmother, at which point, May asks, “Are you coming in or not?” (219). They begin talking about Grandma Judy and Avery admits that her memory is fading intensely day by day. It is painful for Avery to say this and leaves her “floundering emotionally” (220).

May opens up and even begins jocular conversation with the pair. She insinuates that she picks up a distinct chemistry between them, joking: “Just a friend, you say?” (220). As she looks at Trent closer, May makes a connection that causes “moisture [to] mat her lashes” (221). Still, she offers no explanation, not until Avery speaks the words Tennessee Children’s Home Society. Then May tells her: “I could do without ever hearing those words again” (222).

Gradually her story comes out. She tells Trent about his grandfather, whose original name was not Trent, but Stevie. May talks about her fear that he “would be one of those who didn’t survive the home” (223). Avery asks about a photograph of May’s, of three women in bathing suits standing in the river and May tells her, “Yes. The three of us—Lark, Fern and me” (224). Avery asks more about the information they found in Trent’s grandfather’s shed, specifically trying to understand Shad Arthur Foss’s identity. At this point, May professes to feeling “tired all of the sudden” (225). It is clear that the interview is over. All that Avery has found out is about May, her siblings, and Trent’s connection to them. The full connection of Grandma Judy and May is still unknown.

Chapter 20 Summary

Rill tries to adapt to her new life with the Seviers, who are kind to her and Fern. She and her sister are “to call them Papa and Mommy” (235). Since Fern and Rill always called their parents Briny and Queenie, this they can do. As Rill says, “The words don’t have a place in me one way or the other. They’re just words. That’s all” (235). She uses them to try and keep the peace.

Rill can see that Mrs. Sevier is battling depression. Rill knows, though Fern does not, that there is a small cemetery outback in the garden “where two babies born dead the three that were never born at all have graves” (236). Rill knows the meaning of “the old scars around her wrists” (236) and feels bad for Mrs. Sevier. However, Rill knows that it is Fern that the couple wants, that she is only here because “Fern wouldn’t stop crying and bed-wetting” (236) if away from her sister.

Rill tries her best to adjust, always looking for the moment when she can leave the house and try and get her and Fern both back to Briny and Queenie. She expects that the Seviers will tire of them. Rill watches Mrs. Sevier run a hand along her stomach and knows that even if she “doesn’t say the words […] she’s hoping there’s a baby” (243), at which point she and Fern will be sent away. She has no intention of going back to the home but instead will make a clear break for the river, her sister in tow.

One particular morning, she is sitting with Fern, now known as Beth, and Mr. and Mrs. Sevier, when Mrs. Sevier announces that she wants to take Fern to see a doctor, to get her a brace to correct her foot that turns inward. Rill is silently seething, as she remembers that “Briny says it marks us as part of the royal line of the Kingdom Arcadia” (242), but she says nothing.

While Fern and Mrs. Sevier are out for the day, Rill ends up playing the piano with Mr. Sevier, taking a first, introductory lesson. Mr. Sevier is complimentary, telling her she has talent. He also tells her, “Those are the hands of a piano player” (247). This rankles Rill, as “they’re Briny’s hand but Mr. Sevier doesn’t know that” (247). While they sit together on the piano bench, Mr. Sevier tries to connect more with Rill, saying he hopes they can be friends. Rill is awash in memories all the sudden, of Riggs, grabbing her with his whiskey breath and takes off running, hiding in the closet for safety.

Chapter 21 Summary

Avery realizes it is time for her to return to her regularly scheduled life when her fiancé Elliot surprises her with an unannounced visit. Amorous thoughts of Trent disappear in the face of her current partner. Despite the excitement of his visit, the couple can’t quite seem to make themselves sit down and finalize wedding details. Avery tells herself that it’s just that he’s in a rush. They just need a quieter, saner moment to talk.

Avery decides to pay Grandma Judy another visit. While she’s there, she gets a strange request from her grandmother. Grandma Judy tells Avery to get rid of her past, quite literally. She wants her day journals, all her boxes of newspaper writings, all of it burned: “Don’t open the boxes. Just burn them” (258). Avery is astonished and tries to talk her grandmother out of the decision. She reminds her, “You didn’t say anything that wasn’t true” (258), but her grandmother is insistent. Avery is surprised but before she can press her more, Grandma Judy’s faulty memory takes her away to another time and place. Grandma Judy gives her “a conspiratorial wink” and says, “Don’t worry, Beth” (258). Avery leaves the nursing home feeling “sad and hollow” (259). Then she heads to her grandmother’s house to do the job assigned to her.

When she arrives at her grandmother’s old house, she is surprised to see a taxi sitting in the driveway. The driver behind the wheel is young, but he explains that it was a standing appointment, that a cab came for Grandma Judy on a designed day and time for “maybe a couple years” (264). The taxi driver says he took her to “a place on the water there” (264). The cab driver would snooze in the car or fish while Grandma Judy went off on the river for hours. Avery asks if the cab driver will take her there now and he agrees.

Chapter 22 Summary

Rill knows something is amiss one day when suddenly Fern wets herself in the middle of the living room. The sisters hear a terrible and familiar voice echo from the foyer: Miss Tann. Mrs. Sevier’s voice quakes in a muffed protest as Miss Tann informs her “the grandmother of these children has petitioned to gain custody of them” (270). Rill recognizes this as an immediate lie because “Briny’s folks are dead and Queenie has seen her people since she ran off with Briny” (270). Still, Mrs. Sevier believes it and is shaken and sobbing. Miss Tann informs her that maybe they can fight this appeal for custody, provided that the Seviers are able to pay her three or four thousand dollars in the next day or so.

Mr. Sevier is informed of the news when he returns home and sees the visit from Miss Tann for what it is. He tells his wife: “I will not be blackmailed by this woman!” (272). Mrs. Sevier begs him to pay, anything to keep the girls. He keeps her “no more tears. It’ll be taken care of” (273). Rill isn’t quite sure what that means. It seems to her that this is the moment for her to get away with Fern, just in case Miss Tann reappears and the Seviers don’t have the money ready.

Rill creeps out of the house and talks with a boy on the lake that she’s gotten to know, a “river rat” named Arney with a drunken father and several brothers that all live together on a small shanty. Arney promises Rill use of the family boat to get away from the Seviers and back to Briny and Queen’s shanty. Rill tries to talk Arney into going with them. Zede will take him in, Rill says, as Zede has with other boys, like Silas. Rill is insistent enough to Arney that he unbuttons “his neck shirt” and reveals “a strip of dirty old sack muslin wrapped like a doctor’s bandage” (277). Entrusting the secret with Rill, Arney confides, “Arney’s for Arnelle but Daddy don’t want nobody knowin’ it” (277).

After Fern and Rill go to bed, Rill sneaks out of the house with Fern asleep in her arms. They find Arney and board her boat. Arney decides to come with them when Rill professes, “We’ll be your people now. Me and Fern and Briny and Queenie and Old Zede” (281). Soon enough they find the Arcadia, but the boat is not how Rill remembered it. It is in disrepair, no longer as tidy as Queenie kept it. Silas appears “running down the bank” (285) to them. Rill asks what’s going on as asks where Queenie and Briny are, to which Silas responds that she died three weeks ago. As for Briny, “he took to the bottle” (286).

Chapters 19-22 Analysis

At this point in the novel, both narrators feel a significant push and pull between past and present. They feel compelled to stay rooted in what is happening in front of them. For Avery, this means being warm and receptive when her fiancé Elliot arrives out of nowhere. She needs to plan her wedding. She needs to provide her family with the gorgeous garden wedding that she said she would have. Yet, she still feels drawn to Trent, to his openness and warmth. More than that, she feels drawn to her grandmother’s past. She can’t explain why to Elliot, but she can’t let it go. There’s more there than she needs to know. She needs to see the truth before she lets flames consume it, as Grandma Judy requested. When the taxi driver appears in her grandmother’s driveway, it is just too serendipitous to resist. She has to use this hired guide to take her to the sight of her grandmother’s secrets.

Rill too is pulled between past and present. The Seviers are kindly and gentle with her and Fern. She sees that Mr. Sevier means nothing inappropriate in his attempts to get to know her, but she can’t get the threat of molestation by Riggs out of her mind when in the company of a strange, older man. Rill feels sorry for Mrs. Seviers, who clearly grieves for all the infants she has lost. But it bothers her seeing Fern take on a new identity and start to forget Arcadia, Briny, Queenie, Gabion, Camellia, and Lark. She knows she needs to get herself and her sister home, even if it is a risk and even if it will hurt Mrs. Sevier. When she learns Arney’s secret, that she is a girl and being made to hide her identity by her drunken, abusive father, Rill sees that she and Fern must take one more along in their escape.

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