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77 pages 2 hours read

Bearstone

Fiction | Novel | Middle Grade | Published in 1989

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Symbols & Motifs

Mine

Walter’s Pride of the West gold mine was an old obsession he abandoned decades earlier at his wife’s request. She feared that its dangers would take him from her, and she wisely understood that Walter’s interest in the mine was a kind of mental illness. Walter brings Cloyd with him to reopen the mine, and the old man feels drawn once again into the excitement of gold fever. This nearly upends the work he’s done repairing his relationship with the boy. Walter realizes that he’s ensnared Cloyd in the project and lets the boy finish his quest to stand atop the tallest mountain in the area. Alone in the mine, Walter has nothing to hinder his mania and is seriously injured in a blast accident.

The mine is a test for both Walter and Cloyd. Walter passes the courage test when he returns to the tunnel for the risky—and, for him, nearly fatal—duty of disarming sticks of dynamite that failed to go off. For Cloyd, the hard, tedious mine work is a challenge to his patience and stamina, and Walter’s injury pushes Cloyd to the utmost level of performance as he strives to save his mentor. The mine, then, is a deep hole in the mountain that pulls them in and barely spits them out again. 

Peach Trees

Cloyd’s grandmother somehow manages to grow a small peach orchard on the dry land of White Mesa, Utah. The trees, “with their misshapen trunks and stunted, yellowed leaves, stood here and there against the sun and depended on the rain. Sometimes the rains didn’t come at all, and the peaches shriveled […]” (52). Despite these challenges, Cloyd and his grandmother cherish the fruit. When Cloyd arrives at Walter’s farm, he finds peach trees made lush on plenty of river water with huge, juicy, delicious fruit. Meant to please Walter’s late wife, the orchard is a testament to their long and happy marriage and the hard work and loving care that went into it.

Cloyd is amazed by the quality of the peaches, but his admiration soon turns to resentment: The white people get all the best locations for farming, while the Utes are left to struggle with the few resources of the desert. The trees represent for Cloyd the huge gap between his life and the more privileged one enjoyed by Walter. The boy’s anger festers until he strikes out at Walter by sawing lethal cuts into every tree. Later, regretting his action, Cloyd resolves to repair the damage, and he buys a new set of peach tree seedlings for replanting. The trees thus trace the history of Cloyd and Walter’s relationship, from admiration to resentment, then to regret, and, finally, to reconciliation and healing.

Piedra Ranch

Tucked against the foothills of the San Juan Mountains in southern Colorado, Piedra Ranch, owned by Walter Landis, lies beside the Piedra River that pours out of the mountains and irrigates Walter’s orchard and pastures. Long a happy place for him and his late wife, the ranch now seems like an obligation until Cloyd visits and gives the place new meaning. He and Walter bond during a summer of ranch work and again during the fall, when Cloyd lives there to help with Walter’s recuperation.

The ranch—Walter calls it a “farm” in honor of his wife’s belief that a ranch becomes a farm if it feels like home—serves as a base camp for Walter and Cloyd as they build their friendship and head up into the mountains in search of gold for Walter and spiritual fulfillment for Cloyd. It’s a peaceful backdrop where the two struggle to form a relationship and a new family.

Rio Grande Pyramid

One of the tallest mountains in the region, Rio Grande Pyramid beckons to Cloyd, who yearns to complete his spiritual pilgrimage by standing atop the peak and gazing across the world. The Pyramid, so named for the shape of its summit, gets the moniker Rio Grande because its slopes form the source of that famous river. Atop the summit, Cloyd experiences a vast sense of spiritual communion with the mountains and his ancestral people. In that sense, the peak becomes a literal pinnacle of achievement for Cloyd.

Window

The Window is a gap in a high ridge in the San Juan Mountains near the Rio Grande Pyramid summit. The author calls it “the geographic focus of the story.” (Hobbs, Will. “Bearstone and Beardance.” Will Hobbs Author, accessed 1 Oct 2022.) On Blueboy, Cloyd straddles the Window, its straight-walled gap suggesting a doorway or window to another world. When horse and rider cross through it, they find themselves looking out at a vast landscape of mountains that seem a world apart. It’s a profound moment for Cloyd to pass through such a gate, which seems to welcome him to a larger, vaster view of the world and, with it, a renewed and larger view of his life and purpose.

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