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Content Warning: This section of the guide describes and discusses the source text’s treatment of fatphobia.
In Arsenic and Adobo, The Importance of Food emerges as a central theme, illustrating the interplay between culture, comfort, and individuality. While Tita Rosie’s food is initially framed as the murder weapon, food ultimately becomes a tool for building community and expressing emotions amidst bigotry, ignorance, and even murder.
The arsenic-laced rice serves as a pivotal moment that highlights the thematic exploration of food as emblematic of culture. Throughout Arsenic and Adobo, author Mia P. Manansala spotlights traditional Filipino dishes and food customs. For example, Adobo is one of the dishes that Tita Rosie makes in her restaurant. It is usually made with meat, but she makes a vegetarian version for Adeena. At the end of the book, Manansala includes a recipe for chicken adobo. Throughout the novel, the reader learns about Filipino food culture, such as how they “don’t use chopsticks in the Philippines” (10). When Mr. Long tries to frame Rosie’s restaurant for Derek’s death, he calls in an anonymous tip about arsenic in the rice. However, the tip mentions a type of rice that wasn’t used in the food Derek ate before he died. This is how Lila knows that her family is being set up. Mr. Long’s ignorance about the different types of rice is an example of his bigotry and lack of knowledge of Filipino culture.
While food is important to Lila’s whole family, she establishes her individuality and creativity through her love of baking, which develops as both a professional and a personal interest throughout the narrative. The recipe for her special dessert, ube crinkles, is included at the end of the book. She also makes a “calamansi-ginger pie” for her godmothers (57). Lila cares deeply about food not only because of her family’s business but also because of her personal passion and palate. Throughout the narrative, Lila uses personal food preferences to distinguish her personality from those of her friends and family. For instance, she compares her “desert island food” of choice (106), crepes, versus Adeena’s favorite food, waffles. For Lila, food represents both a fulfilling career and a sphere of creativity, individuality, and passion.
In addition to being a professional and personal interest, food is connected with emotions and community. Lila reflects, “When someone rejected [Rosie’s] food, they were really rejecting her heart” (9). Food represents nurturing and caring for people. Food also plays a large role in creating and sustaining a community, as when Rosie brings food to her church and people eat, representing their acceptance of her. Throughout the narrative, food also brings comfort on an individual level. For example, when Lila is upset, baking improves her emotional state. Finally, food is used in more playful descriptions, such as when Lila remarks, “The men in my life were denser than my grandmother’s rice cakes” (215). Here, Lila’s humorous reference to a Filipino dish illustrates Jae and Amir’s lack of emotional intelligence.
The contrast between food service work and illegal or unofficial forms of work is a lens through which Arsenic and Adobo explores economic vulnerability and class dynamics. As the narrative unfolds, Lila’s family and Shady Palm’s other working-class restaurant owners grapple with the reality of economic vulnerability in the face of both legal and illegal threats.
The temporary closure of Tita Rosie’s Kitchen illustrates Lila and her family’s economic vulnerability. Lila grew up in the restaurant industry. She reflects, “Tita Rosie had been running that place almost my entire life” (24). Her working-class identity and background in food service are principal elements of Lila’s characterization. When the police tell the Macapagal family, “[Your] kitchen is closed and you cannot serve food out of it until this investigation is over” (41), this is a devastating blow financially. The family’s position as renters also exemplifies their precarity. At the beginning of the book, Rosie and her family are renting their building “on the Main Street strip of downtown” (84). Not owning their property makes them vulnerable to the illegal scams that their landlord runs with the health inspector and Derek.
As Lila’s family struggles with the closure of their restaurant, Lila and Adeena take on the unpaid, unofficial roles of sleuths, underscoring the importance of unofficial labor in sustaining communities amidst economic vulnerability. The friends started sleuthing in high school when their school mascot was stolen. Lila remembers, “Adeena and I had teamed up to investigate our rival school and saved the day” (46). Derek, on the other hand, began to get into dealing drugs in high school, illegal work that Lila was oblivious to until after his death. Lila and Adeena return to sleuthing to clear Rosie’s name. Their commitment to solving the case and protecting both Rosie’s restaurant and other restaurants highlights the role of unofficial, unpaid work in keeping struggling communities afloat.
Lila and Adeena’s unofficial investigation stands in contrast to the police’s official investigation, which is easily undermined by Mr. Long as part of his scheme against Tita Rosie’s Kitchen. Mr. Long calls in an “anonymous tip leading [the police] to believe that the rice was purposely contaminated with arsenic” (76). Mr. Long’s false tip highlights how landlords are in a position to harm the people renting from them. The police have to wait for the medical examiner to run tests on Derek. One of Lila’s godmothers, Mae, wonders, “Why wouldn’t they test for everything?” (121). Her question suggests that the case against the Macapagals is a low priority in the department. By exploiting the official police investigation to further his scheme, Mr. Long reveals how power imbalances and corruption can manipulate the justice system in favor of those with greater economic and social status.
Mr. Long’s false tip skewing the police investigation mirrors how Derek, Mr. Long, and the health inspector’s scam utilizes both illegal and legal labor. Derek “chose a local place, frequented it for a month or so, wrote a bunch of vicious reviews about the place, then [...] moved on to the next one” (111). Just like Mr. Long uses the police system to further his goals, the scammers use the newspaper, the Shady Palms News, to harm small businesses. The scammers’ use of legitimate institutions like law enforcement and the press to accomplish their illegal goals underscores the precariousness of small businesses vulnerable to these manipulative tactics.
Lila’s character arc illustrates the thematic conflict between Familial Pressures and Personal Identity. This conflict is underscored by the varying experiences of Jae, Adeena, and Elena. Ultimately, Lila embraces her complex relationship with her family, both chosen and biological, while remaining committed to her personal identity and goals.
The younger characters in Arsenic and Adobo have a variety of relationships with their families, depicting the different ways that individuals respond to familial pressure. Lila left Shady Palms and moved to Chicago to get away from her family’s fatphobia and drama. She struggles with their mandate: “Family first” (137). Like Lila, Jae seeks more independence than his family would like. Adeena admonishes Jae and Lila for pushing back against the demands of their families. While Adeena defends her family, she also has issues with her family making Amir the golden child. Like Adeena, Elena believes that “family [comes] first” (220). Elena is more comfortable with her family meddling in her life than the other characters.
Lila’s relationship with her family is complicated by competition and lack of affection, but her family’s values ground her in times of adversity. Lila struggles with prioritizing herself over her family. Her family is not very affectionate, and her parents died when she was young. Rosie hugs Lila when she is released from jail, and Lila notes it is the “first hug [she’d] received from a Macapagal since [she] was in elementary school” (90). Lila’s family also encourages competition between Bernadette and Lila, comparable to the competition that Amir and Adeena’s family instigates. However, Lila’s familial identity includes some positive aspects. Lola Flor says to Rosie, “You are a Macapagal and we do not give up” (181), highlighting the family value of tenacity.
For Lila, personal identity includes her chosen family. Her friendship with Adeena is as important as a romantic relationship or blood relative. The friends believe that “[t]here [is] no hierarchy to love” (130). Furthermore, Adeena’s pragmatic nature balances out Lila’s emotional nature and forgetfulness. Elena says, “[I]t’s safer with the two of you” together (224). Lila seeks a balance between the life she is making with her chosen friends and lovers and her familial obligations and expectations. At the end of the novel, she is able to pursue her own dreams of opening a cafe with Adeena and Elena. Lila also wants to nurture her relationships with family members. She thinks, “I couldn’t continue letting these important relationships slip through the cracks” (290). This applies to Terrence, part of her found family, as well as the Macapagals, her biological family. By choosing to value her familial relationships even as she pursues her individual dreams, Lila demonstrates that cultural and familial pressures can coexist with a fulfilling personal life.
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