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Content Warning: This section discusses substance abuse, colonial violence, cultural genocide, child abuse, and anti-Indigenous racism.
The author and narrator of Apple (Skin to the Core), Eric Gansworth was born in 1965 on a Tuscarora reservation near Niagara Falls, New York. He is an enrolled member of the Onondaga Nation and often identifies himself as either Onondaga or Haudenosaunee rather than American. He feels out of place because he is an Onondaga among Tuscarora people, even though much of his family is Tuscarora. Gansworth is a writer and visual artist who has published several books before this memoir, including Indian Summers (1998), Extra Indians (2010), and If I Ever Get Out of Here (2013) as well as poetry collections like Nickel Eclipse: Iroquois Moon (2000), A Half-Life of Cardio-Pulmonary Function (2008). He teaches at Canisius College in Buffalo, New York, where he is also a writer in residence. Originally, he went to college to study electroencephalography, but he was more interested in pursuing his interest in art and literature.
Throughout Apple, Gansworth explores his experience of growing up on the Tuscarora reservation. Through free verse prose poetry, he recounts the stories of his grandparents, parents, siblings, and extended family members and tries to make sense of the legacy of cultural genocide that still impacts his community. Gansworth gives few personal details when he describes stories, focusing rather on how he felt in certain moments. As a result, clarifying details or context are often missing from the stories he tells. This is a deliberate choice, not only because Gansworth is writing about real people, many of whom are still alive, but also because he is not recording his memories for gossip. In the chapter “A Note to Those Who Know My Family,” he is clear about his intention to tell his own story and no one else’s. He acknowledges that memory is a tricky thing and that two people often remember the same event in completely different ways. To Gansworth, this memoir “is a map / to survival” (61), in which he pieces together his fragmented history so that it cannot be erased, as his grandparents’ histories were erased by residential schools and the legacy of colonialism and cultural genocide.
The text does not name Gansworth’s parents, but they are nevertheless important figures. His father was largely absent from his life. He appears almost exclusively in the seven “From Iron Man to Skywalker” poems. An iron worker, he worked outside the reservation, which explains some of his absence from Gansworth’s life. Another reason for his being an absent parent was alcoholism. When he did see Gansworth, he usually ignored him or berated him for his interest in art and comic books. When Gansworth was 17, his father spent time at their house only when Gansworth’s mother was out playing BINGO. By this time, Gansworth was so estranged from his father that he did not know what to say to him or how to interpret his presence. When his father died, Gansworth’s mother reflects that they “Had Some Good Times Anyway” (315), but Gansworth was not sure if she is talking about the times his parents had together or the times his mother had without his father.
Gansworth’s mother, though still legally married to his father, was essentially a single parent to seven children. She worked a lot to scrape together enough money for the family, missing much of Gansworth’s early life. She worked many jobs, including as a cleaner for white families. She was forced to perform gratitude for her employers so they would keep hiring her. She encouraged Gansworth to get off the reservation, giving him a flyer from a nearby community college. Later, she revealed that she did not think that Gansworth would leave the reservation forever, and she frequently made reference to him finally coming home. Later, when the house burned down in an accidental fire, she refused to continue living on the land. Instead, she moved into a trailer belonging to one of her sons. She died following a stroke.
One of Gansworth’s childhood friends, Jaboozie is only ever known by this nickname, both to protect her privacy and because nicknames are very common on the reservation. Although Jaboozie was two years older than Gansworth, they remained close friends, and Gansworth missed her when she left for college. She taught him to make beadwork and cornhusk dolls when they were children. In addition, she introduced him to The Beatles’ The White Album. Both Gansworth and Jaboozie shared a love of music and books and were similar in their inquisitive natures. When Jaboozie moved away for college, she and Gansworth drifted apart for a while, but on one of her visits, Jaboozie gave him a copy of a book about cult movies that students studied at her school. The book showed Gansworth a future he did not know was possible, one that valued the things he cared about (cult movies, comics, and music) as academically worthwhile. Jaboozie eventually married one of Gansworth’s cousins and later helped him mourn the loss of his aunt when she died.
Gansworth mentions his grandparents frequently in the text: Big Umma (his mother’s mother), Little Umma (his father’s mother), Umps (his mother’s father), and Willard (his father’s father), especially regarding The Impact of Colonialism as a theme. The text is somewhat unclear about whether all his grandparents were sent to residential schools. Gansworth’s grandmothers both attended, as did Willard. In the Liner Notes at the end of the book, Gansworth states, “Three of my four grandparents went to Boarding Schools, and their legacy stays with me always” (379). However, in “I Leave Formal Training Before This Opportunity Begins,” he says that “Umps has survived / a Boarding School too, like my other grandparents. / He chooses not to speak of it” (134).
The impact of colonialism is most obvious in Gansworth’s grandparents’ generation, though its effects continue to be felt in later generations. Willard managed to maintain a connection to his heritage because he spent so much time convalescing at home. Nevertheless, the school had a big impact on his life. Umps, Big Umma, and Little Umma were all Christian, having converted during their time at residential school. They no longer believed in things like the Skyworld. Umps was unwilling to engage with Tuscarora culture but chose to expose his children to the outside world so that they would be “a little more prepared than he was” (134).
Both of Gansworth’s grandmothers became completely removed from their culture after their time in residential schools. Although they spoke Tuscarora and Onondaga with their friends, they refused to speak their languages with their children. Big Umma reprimanded the reservation school for teaching her children about traditional skills like beadwork, which she called “backwards skills.” As a result, Gansworth’s parents lost their connection to their culture and heritage and were unable to pass any traditional knowledge on to Gansworth and his siblings. Although Little Umma was reluctant to pass on her culture to her children, she agreed to speak Tuscarora for the ethnographer. These recordings eventually were used in Tuscarora language revitalization efforts, providing a roadmap for younger generations of Tuscarora people to reclaim part of their lost history.
Gansworth talks about his large extended family throughout his memoir. He never names any of his family members, instead referring to them as brothers, sisters, cousins, aunts, uncles, nieces, or nephews. This can make it difficult to determine which brother or which uncle he is referring to in any given poem. Gansworth has six older siblings; his oldest sister was a teen when he was born, and she helped raise him. When he was a toddler, one of his brothers was drafted into the Vietnam War. Gansworth was often at odds with his extended family and felt like an outsider among them. His feelings of isolation came largely from the fact that his immediate family was Onondaga, an identity that was passed down from his mother and maternal grandmother, since bloodlines are matrilineal. Despite the fact that Gansworth’s other three grandparents were Tuscarora, he and his immediate family will always be Onondaga, while his extended family members are mostly Tuscarora.
Gansworth is always oblique in his descriptions of the fire that destroyed his childhood home. He hints that one of his uncles drove a car into the house, igniting a propane tank. It’s unclear which uncle this is; it might be the one that his mother never trusted and once beat with a baseball bat, or it might be someone else. Similarly, when one of Gansworth’s older brothers died, it was unclear which brother he was talking about. Because he is writing about real people, both living and dead, Gansworth makes the deliberate choice to obfuscate some details, maintaining his family’s privacy.
Eventually, Gansworth reconciled his feelings of difference from his extended family when one of his nephews got married. When he saw the ways that cultures were exchanged and communicated across nations, he realized that new bonds can be forged and celebrated. Gansworth was inspired by the ways that his nieces and nephews were reconnecting with their heritage and even learned some Tuscarora from a niece. Just as connecting with older generations keeps their culture alive, so too does connecting with younger generations.
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