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54 pages 1 hour read

Acceleration

Fiction | Novel | YA | Published in 2003

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Character Analysis

Duncan

Seventeen-year-old Duncan is the narrator-protagonist of Acceleration. A year ago, he failed to save a drowning girl named Maya. He visited doctors and took medication to alleviate his trauma—to no avail. In the aftermath of Maya’s death, Duncan became obsessed with the idea that he could’ve saved her. His fixation, his guilt, cost him his girlfriend Kim. She told him, “You’ve locked yourself up in some dark little prison cell” (55). The cell coincides with Maya’s death. In order to let himself out of the cell—by way of a second chance—he pursues Roach as if saving his targets will make up for the past.

Duncan is a pessimistic character. Throughout the novel, he gives little sign that he thinks his life can improve. Even his neighborhood, known as the Jungle, embodies a fight for survival. He doesn’t expect to escape the Jungle, and those closest to him (Jacob, Vinny, etc.) feel the same. Duncan’s father is beaten down by his graveyard shifts, and while father and son don’t have an antagonistic relationship, the former doesn’t inspire or galvanize the latter into action. Duncan is closer to his mother whom he hates to disappoint. By the end of the novel, Duncan finds peace when he helps stop Roach—no longer haunted by dreams and visions of Maya.

Vinny

Vinny is one of Duncan’s friends. He has a withered arm and lacks several fingers, a birth defect that he himself jokes about. Duncan describes him as the “brains” (82) of their friend group. Vinny has a knack for putting together a paper trail. Once he begins helping Duncan track Roach, they make quick progress. He knows what they’re doing is dangerous and urges Duncan to give their case to the police after they trail Red and Jumbo. To the end, Vinny proves clever and resourceful.

Wayne

Duncan describes Wayne as a natural criminal and the “devil on my shoulder” (174). Wayne is cunning and loyal to Duncan, but also has a propensity for “victimless crimes” (20) like theft. He vacillates between committing crimes and trying to be legally upstanding. Wayne helps Duncan break into Roach’s house, but he waits outside while he investigates. By the end of the novel, he and Duncan are the only two people who know what happened at the subway.

Jacob

Jacob is Duncan’s pessimistic boss at Toronto Transit Commission’s Lost and Found. He requested to work at the “morgue” because of its predictability and calm. He acts as somewhat of a mentor to Duncan—though the latter resists most of his advice and pities him more than anything (this pity transforming into a genuine desire to help by the end of the novel).

Duncan’s Mother

Duncan’s mother works part-time and takes classes at the community college. She loves film and literature, and is the only character shown to enjoy learning for the joy of it. Duncan values her opinion more than anyone else’s. She is a loving mother who constantly worries about her son and husband.

Duncan’s Father

Duncan’s father is a hard-working man in a difficult situation. He works graveyard shifts and struggles to keep the family afloat. He urges Duncan to treat his job like a test that will “scare him straight” and make sure he improves his prospects for work. He worries that if Duncan does not make better decisions, he will end up in a situation like his.

“Roach” (Scott Weber)

Roach is Duncan’s name for the author of the lost and found journal. He is a disturbed man who kills animals, starts fires, and stalks women with murderous intent. Roach is framed as little more than a walking appetite driven by misogyny and sadism. He is the embodiment of the term “acceleration,” given that his proclivities escalate over time, fitting FBI profiler Mason Lucas’s assessment of most serial killers.

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