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A Lantern in Her Hand emphasizes the importance of family. The novel is set in the 19th and early 20th centuries, a time when family units relied on one another for survival. Families lived and worked together so they could all eat and prosper. The reliance that individuals had on their families placed the family unit on a necessarily high pedestal. In this novel, the family is also the source of love, which empowers people to survive and find joy in otherwise challenging circumstances.
Growing up, Abbie is close to her family. But when she becomes a wife, mother, and then a grandmother, she discovers that the power of love and the importance of family lies in the never-ending and constant love she gives to her descendants. Abbie learns that “[t]here is no division nor subtraction in the heart-arithmetic of a good mother. There are only addition and multiplication” (85). This communicates that motherhood is valuable because it is—or should be—a limitless resource. Once Abbie becomes a mother, her life is automatically devoted to the well-being and happiness of her children over her own pleasures and other ambitions.
As idyllic as motherhood sometimes feels, Abbie’s complex characterization highlights that choosing love and nurturing it through the years isn’t always easy. Ten years into her marriage with Will, Abbie realizes:
Love would break under circumstances like these. Standing there in the soddie door, she seemed two personalities. One argued bitterly that it was impossible for love to keep going when there was no hope for the future, suggested that there was no use trying to keep it going. The other said sternly that marriage was not the fulfillment of a passion,—marriage was the fulfillment of love. And love was sometimes pleasure and sometimes duty (124).
When faced with the challenge of staying with her husband through trying times, Abbie learns that marriage is the institution that honors love, but it is not love itself. In the novel, the importance of family is so high that characters fight for family no matter the cost. For families like the Deals who are not wealthy, family is their main source of security. In Nebraska, this extends to the pioneer community, which acts like a family, sharing their resources and helping each other in times of need.
Family and love are also paralleled with the motif of the lantern, the guiding light to happiness and hope. When her granddaughter Katherine speaks flippantly and superficially of love, Abbie declares that “[y]ou can’t describe love, Kathie […]. I think that love is more like a light that you carry…I think that is what love is to a woman…a lantern in her hand’” (243). Abbie’s words emphasize the message that family and the love that creates a family exist in actions, not in words.
In A Lantern in Her Hand, the pioneer spirit is an important theme that celebrates the American Dream and the establishment of America as it is known today.
Pioneer refers to people who explore and establish a community in unchartered territories. The expansion of America into the West relied on the sacrifices of pioneers who were willing to make their own communities, societies, and states from the ground up. Abbie and Will become pioneers when they leave their community in Iowa and establish themselves in Nebraska. They are the first white Americans to settle in a stretch of Nebraska that becomes Cedartown, and the novel celebrates the experience of white American pioneers, who, by the novel’s logic, are entitled to claim the land on which they settle because of their hard work, regardless of its previous ownership. Pioneers faced many threats: battles with Indigenous nations over the right to own land, the elements of unforgiving weather, the unreliability of crops, and the isolation of pioneer communities. The novel celebrates the sacrifices pioneers made and the challenges they faced by making a hero out of Abbie.
A major component of pioneer life is the importance of community. Pioneer values include the idea that “[s]ervice finds its greatest opportunity and its least begrudged hours of labor among neighbors” (123). The pioneer community is idyllic in that there are no class boundaries, no rich versus poor—only equality in hardship. This is a rare format for society and honors the best in human nature that brings people together to survive and even thrive.
Another major component of pioneer life is the importance of constant and back-breaking work. In pioneer communities, “There was always so much to be done. One never could satisfy the demands of Work, that taskmaster which drove every one in the new country before the lash” (94). Work becomes like a religion, a strict way of living that requires that every individual do their part. This emphasizes the equality inherent in pioneer life: All men, women, and children work hard and work together. This is a stark juxtaposition to the life that Abbie could have lived had she married Ed Matthews instead of Will Deal. In choosing love over wealth, Abbie signs on for a life of never-ending labor, but that labor has meaning. The result is the establishment of a new territory, an accomplishment that she would not have achieved had she married Ed.
The pioneer journey is woven into the American identity. It is because of pioneers like Abbie that entire states and institutions were created, growing America in both land mass and population. The victory of society over nature is a part of this work as “[m]an’s system had improved upon the sinuously winding vagaries of the old buffalo, and the road, although still grass-grown, ran straight west past the house. The development of the road is the evolution of the various stages of civilization” (133). In the novel’s Western value system, the road and the house are examples of infrastructure that enhance civilization and mark the progress of humankind.
Pioneers are instrumental in this process, and they are courageous because they make the impossible possible. Abbie and her original band of pioneers create Cedartown from the ground up. Decades after they move out to Nebraska, Cedartown becomes a thriving setting for business, education, and life. The goal of the pioneers is to make life more manageable and livable for others.
The power of art is an important theme in A Lantern in Her Hand because it adds humanity and depth to both Abbie and the hard work of pioneering.
Abbie is characterized as having an artistic spirit. She has a natural talent for singing that brings her into communication with spirituality larger than herself. Even when she stops singing, this inherent spirituality exists within her and proves that she is, at her core, an artist. After Will’s death, for example, Abbie realizes:
Much of the time Will did not seem to be away. Whether the phenomenon were of the spirit world with the metaphysical involved, a touch of the supernatural which no man understands, or only a comforting memory, she did not know. She accepted the solace in blind faith and with soul-filled gratitude (171).
Her connection to the metaphysical suggests that Abbie has a soul that is aligned with an artist’s mindset. She can see spirits and can be moved by nature in ways that other people can’t.
Abbie has an inherent belief in herself as an artist. She has a natural attraction to self-expression and can see her life as a story worth telling. This is important because her life is, in many ways, typical of the life pioneer women lived at the time. The fact that she recognizes the value of her life story means that she inherently values herself and her experience, even if she is ultimately unable to nurture her artistic talents. Despite not being able to create her own art, Abbie is an artist because she has the yearning to produce art.
The novel creates a metacontext for Abbie’s struggle because its literary form emphasizes that art is more difficult to create than it appears. When Abbie sets out to write her book:
For several afternoons she wrote of the things she had been wanting forever to get down on paper. The things she had wanted to say did not come as readily as she had always anticipated. […] When she had finished several of the brown papers, she put them away carefully in her bureau drawer (187).
To find the words that can truly capture her experience is difficult because Abbie has not had the time or space to nurture her craft. Abbie breaks this cycle by ensuring that her daughter Isabelle can study music and become an artist. However, for Abbie, it’s simply too late. Just as it takes years for the farm to be fruitful and for the community to flourish, it takes years of preparation to create a finished work of art.
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