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The act of burning serves as a symbolic representation of intolerance and religious persecution, and the most overt example of this dynamic can be found in the fact that heretics are executed by being burned at the stake. The burnings serve as a public spectacle and a grim manifestation of the fervent religious animosity that grips England and Europe during the period of history described in A Column of Fire. Philbert Cobley’s burning in Kingsbridge in Act 1 exemplifies the ruthless measures taken against those who are deemed to be religious dissenters. This particular burning also serves as a catalyst for Ned to finally join Elizabeth and pursue the goal of achieving religious tolerance in England. The burning of Sylvie's shop serves as another example, for she and her mother are targeted because they are Protestants during the French Wars of Religion, but this burning also occurs because of Pierre’s desire for vengeance. The shop, which was previously a haven for persecuted religious ideas, becomes nothing more than kindling: another example of the devastation of the St. Bartholomew’s Day Massacre. However, not all the examples of symbolic burning in the novel come from the Catholic side against the Protestants. In Antwerp, Carlos has a painting of the miracle at Cana commissioned to be hung in the cathedral. To him, it symbolizes his continued love for the Catholic church and its community. However, following the thwarted burning of 14-year-old Drike Willemsen, a mob retaliates by attacking the cathedral. They destroy and burn everything inside, including the painting. This act highlights the vulnerability of love and positive expression in the face of entrenched intolerance.
A significant motif throughout the novel is the characters’ participation in various acts of deception. Against the backdrop of the Catholic-Protestant divide, the covert acts of the characters embody the balance between loyalty to a cause and the compromises that such causes demand. For example, Ned Willard is a spy for Queen Elizabeth I, and his actions embody the paradoxical nature of Idealism and the Realities of Politics, for he repeatedly demonstrates that noble intentions can drive individuals to adopt deceptive measures for the greater good. Likewise, Sylvie Palot’s commitment to spreading Protestantism forces her to operate within the shadows. She sells illegal Bibles to the Protestants of Paris and establishes her own spies to keep track of Pierre. In yet another example, Rollo Fitzgerald operates under the alias of Jean Langlais in order to engage in schemes that challenge the established order. Ironically, his self-described holy cause of dismantling the Protestant presence in England clashes with the deceptive methods required to achieve his goals. He smuggles priests back into England, betrays his country by aiding the Spanish during their invasion, and ultimately becomes the main orchestrator of the plot to assassinate the royal family during the Gunpowder Plot. Finally, Pierre begins the story as a confidence man who uses his skills to spy on France’s Protestants for the Guise family. His arc is filled with manipulation and the orchestration of mass tragedies to advance his position. Even Margery is not exempt from deceptive tactics, for her network in England serves as a way to get Catholic priests into the country, and she helps to conceal a priest in her own home for years. Deception is therefore a unifying point between characters on both sides of the religious divide, as they all employ covert methods to further their respective causes.
The Kingsbridge Priory symbolizes wealth, family, and community, and it is also the catalyst for the development of many characters. The priory starts the story as a ruin owned by the Fitzgeralds, and they will eventually sell it to Bishop Julius. However, they decide to use it as collateral in their loan to Alice. While she knows that her plan is a gamble, she wants to construct an indoor market that could remain open in all weathers. She thinks such a venture would be profitable because of its central location in Kingsbridge and its closeness to the cathedral. In this way, the priory represents the opportunity to regain their fortune after losing their ships in the fall of Calais. However, the Fitzgeralds leverage their power to take it back and further ruin the Willard family's prospects. Almost 30 years later, Alfo takes over the fulfillment of his grandmother’s dream and successfully turns the priory into a market with the help of his family, all of whom play a role in its creation. Ned buys the ruin with Barney’s money, Sylvie offers advice on running a business, and Alfo rebuilds the space himself. The flourishing of the indoor marketplace reflects the city's desire for community and change for the better as the country moves into the future.
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By Ken Follett
British Literature
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Challenging Authority
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Family
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Marriage
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Nation & Nationalism
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New York Times Best Sellers
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Power
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Romance
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The Best of "Best Book" Lists
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War
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