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Clarke (December 16, 1917-March 19, 2008) was an English science fiction and popular science writer. His work was informed by a lifelong fascination with space travel. He enjoyed a large readership and won several Hugo and Nebula awards, as well as serving as the chairman of the British Interplanetary Society (1946-1947, and 1951-1953). He wrote about geostationary communications satellites in a letter to the editor of Wireless World (February 1945), and then again in a longer piece titled “Extra-Terrestrial Relays—Can Rocket Stations Give Worldwide Radio Coverage?” in October 1945. As a result, geostationary orbit is sometimes referred to as the Clarke Belt or the Clarke Orbit. Communication from and in space is a major theme in 2001: A Space Odyssey; what sparks the Discovery’s voyage to Saturn is the loss of communication with Earth caused by the misalignment of an antenna.
Clarke was interested in scuba diving and undersea exploration. He emigrated to Sri Lanka in 1956 to pursue this passion. In his first year in the country, he discovered the underwater ruins of the Koneswaram Temple in Trincomalee. This adventurousness may inform the exploratory spirit that pervades 2001.
In his essay “Back to 2001,” which accompanies the edition of the novel referred to in this guide, Clarke says that “it’s almost impossible to recapture the spirit of that distant age” when he and Kubrick conceived of 2001: A Space Odyssey (2). A large part of this “spirit” stemmed from the fact that the Moon landings had not yet taken place but were already on the horizon: “In the Spring of ’64 […] the lunar landing still seemed psychologically a dream of the future. Intellectually, we knew it was inevitable; emotionally, we could not really believe it” (2).
A closely related context is the atmosphere of threat caused by the Cold War. Space travel, tribal tension, and the threat of violence are woven into the texture of 2001, with humanity’s evolution connected to the development of technology broadly, and of weapons and the will to use them specifically. Space exploration and the Cold War were indeed intimately linked: The Space Race was a 20th-century competition between the United States and the Soviet Union, each wanting to prove itself superior through space exploration. It developed through and alongside a missile-based nuclear arms race between the two nations after World War II. Winning the Space Race would mean proving technological superiority, but it would also have a symbolic and propagandistic role. The Cold War centered around the ideological and geopolitical struggle for global influence. 2001 reimagines these dynamics of international tension, with the USSR and the USA sometimes working cooperatively against a new threat posed by China.
2001: A Space Odyssey, like the rest of Clarke’s work, can be described as science fiction. Science fiction is a genre of speculative fiction. It characteristically depicts futuristic concepts, such as the advancement of science and technology (including The Threat and Promise of Artificial Intelligence and space travel), extraterrestrial life, and the evolution of humankind beyond corporeal existence and toward immortality. Each of these themes is present in 2001: A Space Odyssey. In dealing with themes of the future, science fiction handles complex ideas about the direction of the human race, which is markedly evident in Clarke’s novel, the plot of which traces humanity’s evolution from “man-ape” to “Star Child.”
Science fiction’s precise definition and origins are debated, and its speculative dimension can trace its roots back to ancient mythology. Clarke’s novel alludes to these precursors through its direct reference to myths such as Pandora’s box. Science fiction is a broad term and includes many subgenres; it is also related to other genres of fiction, including horror, which might be said to inform the catastrophe that befalls the Discovery and her crew.
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By Arthur C. Clarke